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Listen here  2pm Berlin / 3pm Helsinki / 10am São Paulo The stream will commence approximately 2-2.15pm Helsinki time, and last approximately 45mins Radiowalk Helsinki is a live radio-fanzine thematising ‘departure’ produced by Fugitive Radio: Sumugan Sivanesan and Irina Mutt. It listens into urban environments and network processes, weaving through fragments of texture, text, voice, and music. It approaches the means and infrastructures of online radio as instruments of dispersal and play. Drawing on the ephemeral qualities of micro-publishing and (online) performance, it employs strategies of replication, disruption, and distribution. To join the full audio-visual performance and discussion join the event at: https://www.akademie-solitude.de/en/event/nepantlas-04/ 
NTIZEZA Waves: Furasu Yoru's 'Parastrologies' Listen here. 2pm Berlin / 3pm Athens / 10pm Seoul The stream will commence approximately 2-2.15pm Athens time, and last approximately 45mins NTIZEZA Waves is the new web radio side project happily hosted at {openradio}. For the first ever broadcast, the magnificent Furasu Yoru is returning to NTIZEZA for one live interactive show, 'Furasu Yoru's 'Parastrologies': Looking for new great narratives / Waiting for December 21: Day of the winter solstice / Day of the grand Jupiter-Saturn conjunction at 0° of Aquarius / A live show full of unscientific and metaphysical speech. Time to smash science and embrace magic. Tune in, listen and message Furasu live for trusted advice!* The show will be broadcasted in Greek, with the option of answering audience inquiries in English.** NTIZEZA is a platform for the support, education and celebration of femininities and feminist artists based in central Athens, Greece. Follow NTIZEZA on Facebook or Instagram
Open Fires in Brussels (16:00-18:00 CET) curated by Heike Lansgdorf & Simone Basani, firekeeper Bilal Kamilla Arnout. Sumugan Sivanesan will host a sympathetic/signal fire at MASSIA, Estonia. All fires will be streamed on Fugitive Radio and Openradio. https://index.nadine.be/to-do-or-not-to-do-resistance-care/
Listen here January 5th 2021, 17:00 Berlin / 18:00 Athens / 21:00 Lima The stream will commence approximately 18:00-18.10 Athens time, and last approximately 50mins The lucky pie with a hidden coin, ‘vasilopita’ , is cut traditionally between friends and family every new year’s day in Greece. NTIZEZA will cut hers on the January 5, and start the new year with a group poetry reading. This event is part of The Reading and Knitting Club, that has been occurring weekly Tuesday afternoons at NTIZEZA, up until the pandemic hit Greece last March. The Reading and Knitting Club offered evening discussions on books with critical approach to culture and politics from a feminist approach, accompanied by knitting and tea. Join us next Tuesday for a live broadcast of poetry readings and vasilopita cutting! NTIZEZA is a platform for the support, education and celebration of femininities and feminist artists based in central Athens, Greece. NTIZEZA Waves is the new web radio side project happily hosted at {openradio}. Follow NTIZEZA on Facebook or Instagram The show will be broadcast in Greek and in English.
Furasu Yoru 's PARASTROLOGIES return to NTIZEZA Waves for another live interactive broadcast of brave new narratives. 2021 entered more explosively than ever. The question is: is astrology, magic and metaphysics on the side of the revolution? Tune in and contact Furasu Yoru live during the show, via text or by calling on +30 6987325764 (signal, viber, whatsapp) https://www.facebook.com/ntizeza/
An evening of reading and talking about zines and zine culture from Athens and beyond with writer, editor and zinester Andromache Kokkinou and Natasa Diavasti, NTIZEZA’s hostess. The discussion will be mainly in Greek, with some English parts. Join our talk by contacting us during the show on +30 6987325764 (signal, viber, whatsapp)
The T. Rudzinskaitė Memorial Amateur Lichenologists Society’s Metta space program launches it satellite with a special program. Featuring readings from the forthcoming re-issue publication, ‘Love Letters to Lichen’, and a tradtional space lichen song cycle. http://welikelichen.space/
Streaming from Middle Finland from 19:00 EEST : Kaamos Radio will broadcast 14 hours through the night. What better thing can you do than make yourself comfortable in front of your radio, huddled in a warm blanket, and follow Kaamos Radio on its winding acoustic paths until another snowy morning dawns?! A manyfold kaamos séance awaits you: talk and poetry with artists and people of the region - Feeling Dealer Show by Tixa - midnight snow cake meditation - "Aelita" a live stream from Bratislava by Marold Langer-Philippsen - international sound art contributions - the morning coffee hour. More detailed information about schedule and contributors can be found on: https://datscharadio.de Kaamos Radio is a project by Gabi Schaffner and Marold Langer-Philippsen, facilitated with the support of Serlachius Residency and Goethe Institute Germany
Another fine parastrological mindopening interactive show by our beloved FURASU YORU. Join us with your questions and comments during the show on +30 6987325764 (signal, viber, whatsapp) https://www.facebook.com/ntizeza
Following the magnificent 200-year anniversary of the Greek Revolution, FURASU YORU returns for a special interactive parastrological live show, broadcasting for the first time out in the open, from Pedion tou Areos in Athens. Join us at the park or as usual with your questions and comments during the show on +30 6987325764 (signal, viber, whatsapp) https://www.facebook.com/ntizeza
This month our beloved parastrologist FURASU YORU, following the 54th anniversary of the 7 year Greek military junta (1967-1974), is hosting another live interactive show from the park of Pedion tou Areos, in central Athens. Join us at the park or as usual with your questions and comments during the show on +30 6987325764 (signal, viber, whatsapp)
Under a Fooled Moon convenes a collective radiophonic ritual, gathering around a live improv session led by Suva. Gallery guests are asked to bring FM radio receivers, earbuds, smartphones and bluetooth speakers to open a portal between parallel (sonic) universes; you can join onsite at Myymälä2 gallery, online at the SonoBus private group: underafooledmoon (there is software to install in advance*). The situation is being devised by Suva and Sumugan Sivanesan in collaboration with Sophea Lerner and Timo Tuhkanen. Attend in person at Myymälä2 in Helsinki (covidsafe guidelines here) Join in with the performance live online via SonoBus group: underafooledmoon Or simply listen, at openradio.in/live (more…)
From LIVE TERMINAL at Good Space in downtown Sydney, dprk is the kosmiche project of Richard Fielding (The Loop Orchestra, Severed Heads) and Nick Dan (xNoBBQx). They are joined live by Juke Wyat and Christian Durham.
Furasu Yoru's monthly interactive show, full of new parastrological myths and truths, this time also hosting a special guest at the second half of the show! Tune in and contact Furasu with your questions and comments on +306987325764 during the show or join us at Pedion you Areos under Athena's statue, in Athens! *Please wear your mask and keep safe distance.
Welcome to La Cabaret, an open invitation to mix politics and pleasure, with the energy of cabarets, queer bars and block parties to celebrate that despite all the struggles, we can make room for joy. Happening in an apartment in Rastila, East Helsinki, this event will have interventions by post-porn researcher and artist Frau Diamanda, tarot readings by Elina Nissinen, improvised spoken word by guests and music by lintulintu. La Cabaret invites the audience to join with their browsers and ears to know a little bit more about dissident Iberoamerican post-porn, divination with tarot cards and as Lintu Lunar describes their work, to play and dance with “technosexual tunes and non-binary data fantasies”. Opening home doors to anyone curious to join us in this encounter. Because this “us” is about you, too. Artists and collaborators: Frau Diamanda, Elina Nissinen, lintulintu (Lintu Lunar & Tiikka), Yes Escobar, Irina Mutt, fugitive radio, {openradio} (Sophea Lerner).
Fugitive Radio Event live at Oodi Helsinki - join us for a Roaming Radiophonic Picnic — introducing listeners to different sites and sounds around the Oodi broadcast zone. fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. If you’re curious to make live experimental radio with us, bring your smartphone and a pair of wired earbuds. These work as an antenna if your smartphone has an FM receiver (look for the app!) Also bring a bluetooth speaker if you have one. After a little warm up, we will begin streaming online between 15.00 and 16.00 each day. We will also be broadcasting to a limited range around Oodi on 91.4 FM. If you can’t make it to Oodi library you could join us remotely — we’re working on a platform! Updates will be posted on fugitive-radio.net and our Telegram channel. Follow us on Insta: fugitive.radio. Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt, and multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
reverse, return, regenerate is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: I will not pretend to understand how the hyperspectral images of soil in Anne Yoncha’s project Re:Peat are actually converted into sound. There are two sonified soil samples, from Latvasuo and Pikkusaarisuo peat extraction sites, the unrestored soil sample is panned left, and panned right is the restored (one that’s been de-acidified with the ashes of burnt peat). The podcast on reverse-engineering proves that resilience can be built by learning how things work, repairing the broken, and applying the remains – maybe for an unfixed means. Both Fahmi Mursyid and Amelia Marzec use found or salvaged technology to create their sounds and instruments. Mursyid’s piece is the kind of ghastly, yet beautiful, soundscape that reminds me of why I first got fascinated with sound art. Marzec’s strange harmony feels like a calming ritual, a farewell to the era of disposable electronics. -- Laura Gustafsson, Pixelache co-director List of works: Anne Yoncha: Re:Peat - Post-extraction land use in Northern Ostrobothnia 5:08 Clio Flego for IQEA group (Tactical Tech) / with Oliver Keller and David Benqué: Reverse-engineering: aesthetic and speculative representation 41:00 Fahmi Mursyid: Unidentified Sonic 6:25 Amelia Marzec: Future Syndrome 4:17 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
reverse, return, regenerate is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: I will not pretend to understand how the hyperspectral images of soil in Anne Yoncha’s project Re:Peat are actually converted into sound. There are two sonified soil samples, from Latvasuo and Pikkusaarisuo peat extraction sites, the unrestored soil sample is panned left, and panned right is the restored (one that’s been de-acidified with the ashes of burnt peat). The podcast on reverse-engineering proves that resilience can be built by learning how things work, repairing the broken, and applying the remains – maybe for an unfixed means. Both Fahmi Mursyid and Amelia Marzec use found or salvaged technology to create their sounds and instruments. Mursyid’s piece is the kind of ghastly, yet beautiful, soundscape that reminds me of why I first got fascinated with sound art. Marzec’s strange harmony feels like a calming ritual, a farewell to the era of disposable electronics. -- Laura Gustafsson, Pixelache co-director List of works: Anne Yoncha: Re:Peat - Post-extraction land use in Northern Ostrobothnia 5:08 Clio Flego for IQEA group (Tactical Tech) / with Oliver Keller and David Benqué: Reverse-engineering: aesthetic and speculative representation 41:00 Fahmi Mursyid: Unidentified Sonic 6:25 Amelia Marzec: Future Syndrome 4:17 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
reverse, return, regenerate is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: I will not pretend to understand how the hyperspectral images of soil in Anne Yoncha’s project Re:Peat are actually converted into sound. There are two sonified soil samples, from Latvasuo and Pikkusaarisuo peat extraction sites, the unrestored soil sample is panned left, and panned right is the restored (one that’s been de-acidified with the ashes of burnt peat). The podcast on reverse-engineering proves that resilience can be built by learning how things work, repairing the broken, and applying the remains – maybe for an unfixed means. Both Fahmi Mursyid and Amelia Marzec use found or salvaged technology to create their sounds and instruments. Mursyid’s piece is the kind of ghastly, yet beautiful, soundscape that reminds me of why I first got fascinated with sound art. Marzec’s strange harmony feels like a calming ritual, a farewell to the era of disposable electronics. -- Laura Gustafsson, Pixelache co-director List of works: Anne Yoncha: Re:Peat - Post-extraction land use in Northern Ostrobothnia 5:08 Clio Flego for IQEA group (Tactical Tech) / with Oliver Keller and David Benqué: Reverse-engineering: aesthetic and speculative representation 41:00 Fahmi Mursyid: Unidentified Sonic 6:25 Amelia Marzec: Future Syndrome 4:17 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
reverse, return, regenerate is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: I will not pretend to understand how the hyperspectral images of soil in Anne Yoncha’s project Re:Peat are actually converted into sound. There are two sonified soil samples, from Latvasuo and Pikkusaarisuo peat extraction sites, the unrestored soil sample is panned left, and panned right is the restored (one that’s been de-acidified with the ashes of burnt peat). The podcast on reverse-engineering proves that resilience can be built by learning how things work, repairing the broken, and applying the remains – maybe for an unfixed means. Both Fahmi Mursyid and Amelia Marzec use found or salvaged technology to create their sounds and instruments. Mursyid’s piece is the kind of ghastly, yet beautiful, soundscape that reminds me of why I first got fascinated with sound art. Marzec’s strange harmony feels like a calming ritual, a farewell to the era of disposable electronics. -- Laura Gustafsson, Pixelache co-director List of works: Anne Yoncha: Re:Peat - Post-extraction land use in Northern Ostrobothnia 5:08 Clio Flego for IQEA group (Tactical Tech) / with Oliver Keller and David Benqué: Reverse-engineering: aesthetic and speculative representation 41:00 Fahmi Mursyid: Unidentified Sonic 6:25 Amelia Marzec: Future Syndrome 4:17 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
reverse, return, regenerate is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: I will not pretend to understand how the hyperspectral images of soil in Anne Yoncha’s project Re:Peat are actually converted into sound. There are two sonified soil samples, from Latvasuo and Pikkusaarisuo peat extraction sites, the unrestored soil sample is panned left, and panned right is the restored (one that’s been de-acidified with the ashes of burnt peat). The podcast on reverse-engineering proves that resilience can be built by learning how things work, repairing the broken, and applying the remains – maybe for an unfixed means. Both Fahmi Mursyid and Amelia Marzec use found or salvaged technology to create their sounds and instruments. Mursyid’s piece is the kind of ghastly, yet beautiful, soundscape that reminds me of why I first got fascinated with sound art. Marzec’s strange harmony feels like a calming ritual, a farewell to the era of disposable electronics. -- Laura Gustafsson, Pixelache co-director List of works: Anne Yoncha: Re:Peat - Post-extraction land use in Northern Ostrobothnia 5:08 Clio Flego for IQEA group (Tactical Tech) / with Oliver Keller and David Benqué: Reverse-engineering: aesthetic and speculative representation 41:00 Fahmi Mursyid: Unidentified Sonic 6:25 Amelia Marzec: Future Syndrome 4:17 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Fugitive Radio Event live at Oodi Helsinki - join us for Democracy Day! Election Vox Pop on the day of the municipal elections 2021 and Corona vaccine report and mental health update with poet Tania Nathan! fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. If you’re curious to make live experimental radio with us, bring your smartphone and a pair of wired earbuds. These work as an antenna if your smartphone has an FM receiver (look for the app!) Also bring a bluetooth speaker if you have one. After a little warm up, we will begin streaming online between 15.00 and 16.00 each day. We will also be broadcasting to a limited range around Oodi on 91.4 FM. If you can’t make it to Oodi library you could join us remotely — we’re working on a platform! Updates will be posted on fugitive-radio.net and our Telegram channel. Follow us on Insta: fugitive.radio. Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt and multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Fugitive Radio Event live at Oodi Helsinki - join us for ‘Cacerolazo’ – banging on pots and pans and other objects in the environment. To coincide with Helsinki Samba Carnival and in the build up to the election. fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. If you’re curious to make live experimental radio with us, bring your smartphone and a pair of wired earbuds. These work as an antenna if your smartphone has an FM receiver (look for the app!) Also bring a bluetooth speaker if you have one. After a little warm up, we will begin streaming online between 15.00 and 16.00 each day. We will also be broadcasting to a limited range around Oodi on 91.4 FM. If you can’t make it to Oodi library you could join us remotely — we’re working on a platform! Updates will be posted on fugitive-radio.net and our Telegram channel. Follow us on Insta: fugitive.radio. Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt and multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Live coverage from Pixelache Festival, Helsinki Highlights include: Ernie's Popup Spa performance, Vishnu Vardhani Rajan: Coviviality Complaints Centre, Closing words, and more! Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Fugitive Radio Event live at Oodi Helsinki - join us for Karaoke Theory? live at Oodi Helsinki! fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. If you’re curious to make live experimental radio with us, bring your smartphone and a pair of wired earbuds. These work as an antenna if your smartphone has an FM receiver (look for the app!) Also bring a bluetooth speaker if you have one. After a little warm up, we will begin streaming online between 15.00 and 16.00 each day. We will also be broadcasting to a limited range around Oodi on 91.4 FM. If you can’t make it to Oodi library you could join us remotely — we’re working on a platform! Updates will be posted on fugitive-radio.net and our Telegram channel. Follow us on Insta: fugitive.radio. Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In the here and now is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This travel guide differs from the two earlier in that it encourages listeners to sit still and open their senses to the surroundings. Leo Pahta’s Itäinen Mynämäki MW 96 has been recorded on a specific site that gives the work its title (let’s say it together: Itäinen Mynämäki). Julian Scordato’s soundscape composition reminds us about sonic ecology and how soundscapes, too, may become extinct. Center for Genomic Gastronomy combines a relaxing meditation practice to waking up and smelling the air pollution. After the revealing smog smelling session we take an escapist break, a walk through “electronic forest of things”, finally returning to here and now, letting Veera Launonen guide us to her hometown to contemplate the (often small) things that create a livable city.  -- Laura Gustafsson, Pixelache co-director List of audio works: Leo Pahta: Itäinen Mynämäki MW 96           6:50 Julian Scordato: Study for a landscape #2         10:00 Center for Genomic Gastronomy: Guided Smog Smelling — a 3 way meditation series 24:00 Leo Pahta: Sylva Sylvarum         10:07 Veera Launonen: Sinä olet helmi           3:06 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In the here and now is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This travel guide differs from the two earlier in that it encourages listeners to sit still and open their senses to the surroundings. Leo Pahta’s Itäinen Mynämäki MW 96 has been recorded on a specific site that gives the work its title (let’s say it together: Itäinen Mynämäki). Julian Scordato’s soundscape composition reminds us about sonic ecology and how soundscapes, too, may become extinct. Center for Genomic Gastronomy combines a relaxing meditation practice to waking up and smelling the air pollution. After the revealing smog smelling session we take an escapist break, a walk through “electronic forest of things”, finally returning to here and now, letting Veera Launonen guide us to her hometown to contemplate the (often small) things that create a livable city.  -- Laura Gustafsson, Pixelache co-director List of audio works: Leo Pahta: Itäinen Mynämäki MW 96           6:50 Julian Scordato: Study for a landscape #2         10:00 Center for Genomic Gastronomy: Guided Smog Smelling — a 3 way meditation series 24:00 Leo Pahta: Sylva Sylvarum         10:07 Veera Launonen: Sinä olet helmi           3:06 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In the here and now is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This travel guide differs from the two earlier in that it encourages listeners to sit still and open their senses to the surroundings. Leo Pahta’s Itäinen Mynämäki MW 96 has been recorded on a specific site that gives the work its title (let’s say it together: Itäinen Mynämäki). Julian Scordato’s soundscape composition reminds us about sonic ecology and how soundscapes, too, may become extinct. Center for Genomic Gastronomy combines a relaxing meditation practice to waking up and smelling the air pollution. After the revealing smog smelling session we take an escapist break, a walk through “electronic forest of things”, finally returning to here and now, letting Veera Launonen guide us to her hometown to contemplate the (often small) things that create a livable city.  -- Laura Gustafsson, Pixelache co-director List of audio works: Leo Pahta: Itäinen Mynämäki MW 96           6:50 Julian Scordato: Study for a landscape #2         10:00 Center for Genomic Gastronomy: Guided Smog Smelling — a 3 way meditation series 24:00 Leo Pahta: Sylva Sylvarum         10:07 Veera Launonen: Sinä olet helmi           3:06 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In the here and now is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This travel guide differs from the two earlier in that it encourages listeners to sit still and open their senses to the surroundings. Leo Pahta’s Itäinen Mynämäki MW 96 has been recorded on a specific site that gives the work its title (let’s say it together: Itäinen Mynämäki). Julian Scordato’s soundscape composition reminds us about sonic ecology and how soundscapes, too, may become extinct. Center for Genomic Gastronomy combines a relaxing meditation practice to waking up and smelling the air pollution. After the revealing smog smelling session we take an escapist break, a walk through “electronic forest of things”, finally returning to here and now, letting Veera Launonen guide us to her hometown to contemplate the (often small) things that create a livable city.  -- Laura Gustafsson, Pixelache co-director List of audio works: Leo Pahta: Itäinen Mynämäki MW 96           6:50 Julian Scordato: Study for a landscape #2         10:00 Center for Genomic Gastronomy: Guided Smog Smelling — a 3 way meditation series 24:00 Leo Pahta: Sylva Sylvarum         10:07 Veera Launonen: Sinä olet helmi           3:06 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In the here and now is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This travel guide differs from the two earlier in that it encourages listeners to sit still and open their senses to the surroundings. Leo Pahta’s Itäinen Mynämäki MW 96 has been recorded on a specific site that gives the work its title (let’s say it together: Itäinen Mynämäki). Julian Scordato’s soundscape composition reminds us about sonic ecology and how soundscapes, too, may become extinct. Center for Genomic Gastronomy combines a relaxing meditation practice to waking up and smelling the air pollution. After the revealing smog smelling session we take an escapist break, a walk through “electronic forest of things”, finally returning to here and now, letting Veera Launonen guide us to her hometown to contemplate the (often small) things that create a livable city.  -- Laura Gustafsson, Pixelache co-director List of audio works: Leo Pahta: Itäinen Mynämäki MW 96           6:50 Julian Scordato: Study for a landscape #2         10:00 Center for Genomic Gastronomy: Guided Smog Smelling — a 3 way meditation series 24:00 Leo Pahta: Sylva Sylvarum         10:07 Veera Launonen: Sinä olet helmi           3:06 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
I’ll take care of you is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: Louise Ölund’s The Nest views fire, not in the way domesticated humans often do, but from distance. She writes in the description of the work about seeing the herd, not fire – the community, not technology – as an engine of survival. In Daniela Solis’ sound work there are thousands of mexican women, gathered together, fighting to be heard, fighting to not be “comfortably silenced”, and ultimately, fighting for their lives. Yoojin Lee’s piece is also about resistance, though the tone is different. She argues that knowledge builds with time, attention and care, not by force and macho ideas of constant growth. “The cistern contains, fountains overflow.” We need our anger and we need to point it towards those who deserve it. But we also need to grieve, to mourn. Before hearing Christa Wall’s laments in her and Andreea Vladut’s sound performance I did not know how much I missed moirologists -- Laura Gustafsson, Pixelache co-director List of audio works: Louise Ölund: The Nest 3:13 Daniela Solis: sonidos de las mujeres que son incómodas (sounds of the uncomfortable women) 5:06 Yoojin Lee & Night(s) of Philosophy: Nighthoek 14:00 Louise Ölund: Cistern Contains 5:20 Andreea Vladut & Christa Wall: Pneuma Lamentare 16:58 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Live coverage from Pixelache Festival, Helsinki Highlights include: Vishnu Vardhani Rajan: Coviviality Complaints Centre, Charli Clark: We Walk Together, Silvia Hosseini, and more! Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Ferment Radio - I wish I had superpowers to see microbes & Fermenting our way out of trouble (conversations with Maya Hey) Ferment Radio is a podcast series on bacterial and social fermentation. During Pixelache Festival Radio, Ferment Radio is thrilled to present a conversation with Maya Hey; a two-part episode which originally aired at the end of 2020. Maya Hey is a scholar and PhD candidate at Concordia University doing research on fermentation and feminist theory. From chemistry labs to culinary kitchens, organic farms, and food markets, her work is a constant search to answer questions around embodied knowledge, collective ethics, and interspecies thriving. In this conversation, we discuss the bigger picture of fermentation: fermentation as a selfless practice, and the impossibility of understanding the microbial part of ourselves. We also reflect on the impossibility of controlling something that is inseparable from us, fermentation as a feminist practice, and the cultural appropriation of food recipes. Host: Aga Pokrywka Guest: Maya Hey Produced by Super Eclectic Supported by Culture of Cultures, a Research project studying the social aspects of human-microbe relations. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Ferment Radio - I wish I had superpowers to see microbes & Fermenting our way out of trouble (conversations with Maya Hey) Ferment Radio is a podcast series on bacterial and social fermentation. During Pixelache Festival Radio, Ferment Radio is thrilled to present a conversation with Maya Hey; a two-part episode which originally aired at the end of 2020. Maya Hey is a scholar and PhD candidate at Concordia University doing research on fermentation and feminist theory. From chemistry labs to culinary kitchens, organic farms, and food markets, her work is a constant search to answer questions around embodied knowledge, collective ethics, and interspecies thriving. In this conversation, we discuss the bigger picture of fermentation: fermentation as a selfless practice, and the impossibility of understanding the microbial part of ourselves. We also reflect on the impossibility of controlling something that is inseparable from us, fermentation as a feminist practice, and the cultural appropriation of food recipes. Host: Aga Pokrywka Guest: Maya Hey Produced by Super Eclectic Supported by Culture of Cultures, a Research project studying the social aspects of human-microbe relations. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Ferment Radio - I wish I had superpowers to see microbes & Fermenting our way out of trouble (conversations with Maya Hey) Ferment Radio is a podcast series on bacterial and social fermentation. During Pixelache Festival Radio, Ferment Radio is thrilled to present a conversation with Maya Hey; a two-part episode which originally aired at the end of 2020. Maya Hey is a scholar and PhD candidate at Concordia University doing research on fermentation and feminist theory. From chemistry labs to culinary kitchens, organic farms, and food markets, her work is a constant search to answer questions around embodied knowledge, collective ethics, and interspecies thriving. In this conversation, we discuss the bigger picture of fermentation: fermentation as a selfless practice, and the impossibility of understanding the microbial part of ourselves. We also reflect on the impossibility of controlling something that is inseparable from us, fermentation as a feminist practice, and the cultural appropriation of food recipes. Host: Aga Pokrywka Guest: Maya Hey Produced by Super Eclectic Supported by Culture of Cultures, a Research project studying the social aspects of human-microbe relations. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Ferment Radio - I wish I had superpowers to see microbes & Fermenting our way out of trouble (conversations with Maya Hey) Ferment Radio is a podcast series on bacterial and social fermentation. During Pixelache Festival Radio, Ferment Radio is thrilled to present a conversation with Maya Hey; a two-part episode which originally aired at the end of 2020. Maya Hey is a scholar and PhD candidate at Concordia University doing research on fermentation and feminist theory. From chemistry labs to culinary kitchens, organic farms, and food markets, her work is a constant search to answer questions around embodied knowledge, collective ethics, and interspecies thriving. In this conversation, we discuss the bigger picture of fermentation: fermentation as a selfless practice, and the impossibility of understanding the microbial part of ourselves. We also reflect on the impossibility of controlling something that is inseparable from us, fermentation as a feminist practice, and the cultural appropriation of food recipes. Host: Aga Pokrywka Guest: Maya Hey Produced by Super Eclectic Supported by Culture of Cultures, a Research project studying the social aspects of human-microbe relations. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Ferment Radio - I wish I had superpowers to see microbes & Fermenting our way out of trouble (conversations with Maya Hey) Ferment Radio is a podcast series on bacterial and social fermentation. During Pixelache Festival Radio, Ferment Radio is thrilled to present a conversation with Maya Hey; a two-part episode which originally aired at the end of 2020. Maya Hey is a scholar and PhD candidate at Concordia University doing research on fermentation and feminist theory. From chemistry labs to culinary kitchens, organic farms, and food markets, her work is a constant search to answer questions around embodied knowledge, collective ethics, and interspecies thriving. In this conversation, we discuss the bigger picture of fermentation: fermentation as a selfless practice, and the impossibility of understanding the microbial part of ourselves. We also reflect on the impossibility of controlling something that is inseparable from us, fermentation as a feminist practice, and the cultural appropriation of food recipes. Host: Aga Pokrywka Guest: Maya Hey Produced by Super Eclectic Supported by Culture of Cultures, a Research project studying the social aspects of human-microbe relations. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
haunting futures, cyborgs and test subjects is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist goes under my skin. For me, Aistė Laisvė Viršulytė’s work speaks of the horrors of in vivo testing, or vivisection – regardless of the species of the test subject. Swan Meat (whose concert I wish to witness live someday!) takes Donna Haraway’s ideas of Chthulucene and grotesques as a framework for her elegantly layered sonic essay. From mythological views we bump into Boris Getaz’s essayistic collage that carries on with questioning human belief in technology. The work mixes various time layers, not in an anachronistic way but so that it comes clear that even though our gadgets have changed a bit, we, as a species, haven’t really evolved that much. In her experimental sound work Ida Nerbø mixes organic sounds, such as wind, with the unnatural. I recognize and identify with the words in the description she sent: “the sense of facing something alien and intruding, yet intriguing”. -- Laura Gustafsson, Pixelache co-director List of audio works: Aistė Laisvė Viršulytė: Medmachine for Biomass. Cost. Teardrops. 6:42 Swan Meat: String Figures and Grotesques 20:35 Boris Getaz: May vegetables grow with electricity 31:29 Ida Nerbø: Creep 6:00 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
haunting futures, cyborgs and test subjects is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist goes under my skin. For me, Aistė Laisvė Viršulytė’s work speaks of the horrors of in vivo testing, or vivisection – regardless of the species of the test subject. Swan Meat (whose concert I wish to witness live someday!) takes Donna Haraway’s ideas of Chthulucene and grotesques as a framework for her elegantly layered sonic essay. From mythological views we bump into Boris Getaz’s essayistic collage that carries on with questioning human belief in technology. The work mixes various time layers, not in an anachronistic way but so that it comes clear that even though our gadgets have changed a bit, we, as a species, haven’t really evolved that much. In her experimental sound work Ida Nerbø mixes organic sounds, such as wind, with the unnatural. I recognize and identify with the words in the description she sent: “the sense of facing something alien and intruding, yet intriguing”. -- Laura Gustafsson, Pixelache co-director List of audio works: Aistė Laisvė Viršulytė: Medmachine for Biomass. Cost. Teardrops. 6:42 Swan Meat: String Figures and Grotesques 20:35 Boris Getaz: May vegetables grow with electricity 31:29 Ida Nerbø: Creep 6:00 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
haunting futures, cyborgs and test subjects is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist goes under my skin. For me, Aistė Laisvė Viršulytė’s work speaks of the horrors of in vivo testing, or vivisection – regardless of the species of the test subject. Swan Meat (whose concert I wish to witness live someday!) takes Donna Haraway’s ideas of Chthulucene and grotesques as a framework for her elegantly layered sonic essay. From mythological views we bump into Boris Getaz’s essayistic collage that carries on with questioning human belief in technology. The work mixes various time layers, not in an anachronistic way but so that it comes clear that even though our gadgets have changed a bit, we, as a species, haven’t really evolved that much. In her experimental sound work Ida Nerbø mixes organic sounds, such as wind, with the unnatural. I recognize and identify with the words in the description she sent: “the sense of facing something alien and intruding, yet intriguing”. -- Laura Gustafsson, Pixelache co-director List of audio works: Aistė Laisvė Viršulytė: Medmachine for Biomass. Cost. Teardrops. 6:42 Swan Meat: String Figures and Grotesques 20:35 Boris Getaz: May vegetables grow with electricity 31:29 Ida Nerbø: Creep 6:00 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
haunting futures, cyborgs and test subjects is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist goes under my skin. For me, Aistė Laisvė Viršulytė’s work speaks of the horrors of in vivo testing, or vivisection – regardless of the species of the test subject. Swan Meat (whose concert I wish to witness live someday!) takes Donna Haraway’s ideas of Chthulucene and grotesques as a framework for her elegantly layered sonic essay. From mythological views we bump into Boris Getaz’s essayistic collage that carries on with questioning human belief in technology. The work mixes various time layers, not in an anachronistic way but so that it comes clear that even though our gadgets have changed a bit, we, as a species, haven’t really evolved that much. In her experimental sound work Ida Nerbø mixes organic sounds, such as wind, with the unnatural. I recognize and identify with the words in the description she sent: “the sense of facing something alien and intruding, yet intriguing”. -- Laura Gustafsson, Pixelache co-director List of audio works: Aistė Laisvė Viršulytė: Medmachine for Biomass. Cost. Teardrops. 6:42 Swan Meat: String Figures and Grotesques 20:35 Boris Getaz: May vegetables grow with electricity 31:29 Ida Nerbø: Creep 6:00 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
haunting futures, cyborgs and test subjects is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist goes under my skin. For me, Aistė Laisvė Viršulytė’s work speaks of the horrors of in vivo testing, or vivisection – regardless of the species of the test subject. Swan Meat (whose concert I wish to witness live someday!) takes Donna Haraway’s ideas of Chthulucene and grotesques as a framework for her elegantly layered sonic essay. From mythological views we bump into Boris Getaz’s essayistic collage that carries on with questioning human belief in technology. The work mixes various time layers, not in an anachronistic way but so that it comes clear that even though our gadgets have changed a bit, we, as a species, haven’t really evolved that much. In her experimental sound work Ida Nerbø mixes organic sounds, such as wind, with the unnatural. I recognize and identify with the words in the description she sent: “the sense of facing something alien and intruding, yet intriguing”. -- Laura Gustafsson, Pixelache co-director List of audio works: Aistė Laisvė Viršulytė: Medmachine for Biomass. Cost. Teardrops. 6:42 Swan Meat: String Figures and Grotesques 20:35 Boris Getaz: May vegetables grow with electricity 31:29 Ida Nerbø: Creep 6:00 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Live coverage from Pixelache Festival, Helsinki Highlights include: Marketa Dolejsova & Annukka Svanda: Bring Your Own Kitchen, Dasha Ilina: Centre for Technological Pain workshop, humming performance by Eero Yli-Vakkuri, and more! Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
hACkathon is a multifaceted project, produced for and executed during Pixelache Festival 2021 (2021/06/06-13). The project encourages individuals to dissemble, examine, hack and repurpose discarded or functional air-conditioning units for the purpose of giving them the added passive functionality of extracting carbon from the atmosphere. Through research conducted for hACkathon, a methodology was discovered that can be applied to all types of AC units. This method is explained in detail during the 30 minute long hACkathon radio program, where the host - Justin Tyler Tate - walks participants through a process of designing and building their own parasitic passive carbon capture devices to augment their air conditioning units using readily available materials and processes. As Individuals cool their spaces in the increasingly hotter summer months, they will also be passively capturing carbon and offsetting their ecological footprint. Audio material will be supplemented by visual material at the website: http://hackyourac.weebly.com/ Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Fugitive Radio Event live at Oodi Helsinki - join us for Swings & Ropes, in the playground with Irina Mutt! fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. If you’re curious to make live experimental radio with us, bring your smartphone and a pair of wired earbuds. These work as an antenna if your smartphone has an FM receiver (look for the app!) Also bring a bluetooth speaker if you have one. After a little warm up, we will begin streaming online between 15.00 and 16.00 each day. We will also be broadcasting to a limited range around Oodi on 91.4 FM. If you can’t make it to Oodi library you could join us remotely — we’re working on a platform! Updates will be posted on fugitive-radio.net and our Telegram channel. Follow us on Insta: fugitive.radio. Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt and multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Fugitive Radio Event live at Oodi Helsinki - join us for a Hum Club – if you’re feeling anxious, just hum! fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. Fugitive radio will broadcast Hum Klub today (10 June). We will join with humming artist-in-residence Eero Yli-Vakkuri! Come hum with us at 15.00 EEST. Join on Jam, a simple to use browser-based audio streaming platform. Just click 'join' after the link! https://jam.systems/humklub Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt and multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 2: Random City is part of a collection of selected audio works for Pixelache Festival 2021. Alëna Korolëva’s travelogue “grazes across sonic neighborhoods that might resemble Tbilisi, Batumi, Toronto, Havana, St. Petersburg, Ulyanovsk, Strasbourg, Marseille, Naples, Reggio Calabria, Lisbon and Barcelona.” It’s based on field recordings made in public spaces of different cities in 2018–20. Random City appealed especially to Andrew who’s missing traveling more than I do. Audio work: Alëna Korolëva: Random City 57:00  Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 2: Random City is part of a collection of selected audio works for Pixelache Festival 2021. Alëna Korolëva’s travelogue “grazes across sonic neighborhoods that might resemble Tbilisi, Batumi, Toronto, Havana, St. Petersburg, Ulyanovsk, Strasbourg, Marseille, Naples, Reggio Calabria, Lisbon and Barcelona.” It’s based on field recordings made in public spaces of different cities in 2018–20. Random City appealed especially to Andrew who’s missing traveling more than I do. Audio work: Alëna Korolëva: Random City 57:00  Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 2: Random City is part of a collection of selected audio works for Pixelache Festival 2021. Alëna Korolëva’s travelogue “grazes across sonic neighborhoods that might resemble Tbilisi, Batumi, Toronto, Havana, St. Petersburg, Ulyanovsk, Strasbourg, Marseille, Naples, Reggio Calabria, Lisbon and Barcelona.” It’s based on field recordings made in public spaces of different cities in 2018–20. Random City appealed especially to Andrew who’s missing traveling more than I do. Audio work: Alëna Korolëva: Random City 57:00  Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 2: Random City is part of a collection of selected audio works for Pixelache Festival 2021. Alëna Korolëva’s travelogue “grazes across sonic neighborhoods that might resemble Tbilisi, Batumi, Toronto, Havana, St. Petersburg, Ulyanovsk, Strasbourg, Marseille, Naples, Reggio Calabria, Lisbon and Barcelona.” It’s based on field recordings made in public spaces of different cities in 2018–20. Random City appealed especially to Andrew who’s missing traveling more than I do. Audio work: Alëna Korolëva: Random City 57:00  Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 2: Random City is part of a collection of selected audio works for Pixelache Festival 2021. Alëna Korolëva’s travelogue “grazes across sonic neighborhoods that might resemble Tbilisi, Batumi, Toronto, Havana, St. Petersburg, Ulyanovsk, Strasbourg, Marseille, Naples, Reggio Calabria, Lisbon and Barcelona.” It’s based on field recordings made in public spaces of different cities in 2018–20. Random City appealed especially to Andrew who’s missing traveling more than I do. Audio work: Alëna Korolëva: Random City 57:00  Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Live coverage from Pixelache Festival, Helsinki Highlights include: Mohamed Sleiman Labat & Pekka Niskanen: Nomadic Seeds discussion, Margaretha Haughwout & Efren Cruz interview, Max Haarich interview, humming performance by Eero Yli-Vakkuri, and more! Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
a spark in a barn, in the body, in an oppressing society is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist is about how bodies resonate with the environment – sometimes creating disharmony and destruction. Bengisu Uykusu’s work processes the conflicted feelings one easily develops towards people and things that one has grown up with. She writes that her loneliness, desire, and fury are peering around the edges of her piece. (This is one of those that made me laugh, in an uneasy way, though). Maximilian Latva’s work is nostalgic to those of us who remember the Helsinki Makasiinit, a sort of center for underground culture before people were evicted from there and the place was burnt (it felt like a sacrifice, somehow). The piece also addresses the theme of burnout and what the city surroundings might feel like for a traumatized individual. In Ola Zielińska’s sonic report individuals join their force and rise against the oppressor. Poland’s government has failed its female citizens – along with LGBTQI people and many others (so many, that in fact together they are the majority) – who now begin to create their own communities and bonds. Witnessing in resonance is a powerful testimony about fear, rage, and solidarity. caitlin davis fisher, a former professional footballer, also strikes the patriarchal society in her beautifully intense spoken word piece (I assume a good game must feel exactly like that if you’re into it). -- Laura Gustafsson, Pixelache co-director List of works: Bengisu Uykusu: My Own Greenhouse 5:59 Maximilian Latva: Makasiini palaa 6:47 Ola Zielińska: Witnessing in resonance. Sonic report on disobedience. 29:32 caitlin davis fisher: Resisting Market Enclosure & Imagining Another (Football) Future / Dear Market 4:47 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
a spark in a barn, in the body, in an oppressing society is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist is about how bodies resonate with the environment – sometimes creating disharmony and destruction. Bengisu Uykusu’s work processes the conflicted feelings one easily develops towards people and things that one has grown up with. She writes that her loneliness, desire, and fury are peering around the edges of her piece. (This is one of those that made me laugh, in an uneasy way, though). Maximilian Latva’s work is nostalgic to those of us who remember the Helsinki Makasiinit, a sort of center for underground culture before people were evicted from there and the place was burnt (it felt like a sacrifice, somehow). The piece also addresses the theme of burnout and what the city surroundings might feel like for a traumatized individual. In Ola Zielińska’s sonic report individuals join their force and rise against the oppressor. Poland’s government has failed its female citizens – along with LGBTQI people and many others (so many, that in fact together they are the majority) – who now begin to create their own communities and bonds. Witnessing in resonance is a powerful testimony about fear, rage, and solidarity. caitlin davis fisher, a former professional footballer, also strikes the patriarchal society in her beautifully intense spoken word piece (I assume a good game must feel exactly like that if you’re into it). -- Laura Gustafsson, Pixelache co-director List of works: Bengisu Uykusu: My Own Greenhouse 5:59 Maximilian Latva: Makasiini palaa 6:47 Ola Zielińska: Witnessing in resonance. Sonic report on disobedience. 29:32 caitlin davis fisher: Resisting Market Enclosure & Imagining Another (Football) Future / Dear Market 4:47 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
a spark in a barn, in the body, in an oppressing society is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist is about how bodies resonate with the environment – sometimes creating disharmony and destruction. Bengisu Uykusu’s work processes the conflicted feelings one easily develops towards people and things that one has grown up with. She writes that her loneliness, desire, and fury are peering around the edges of her piece. (This is one of those that made me laugh, in an uneasy way, though). Maximilian Latva’s work is nostalgic to those of us who remember the Helsinki Makasiinit, a sort of center for underground culture before people were evicted from there and the place was burnt (it felt like a sacrifice, somehow). The piece also addresses the theme of burnout and what the city surroundings might feel like for a traumatized individual. In Ola Zielińska’s sonic report individuals join their force and rise against the oppressor. Poland’s government has failed its female citizens – along with LGBTQI people and many others (so many, that in fact together they are the majority) – who now begin to create their own communities and bonds. Witnessing in resonance is a powerful testimony about fear, rage, and solidarity. caitlin davis fisher, a former professional footballer, also strikes the patriarchal society in her beautifully intense spoken word piece (I assume a good game must feel exactly like that if you’re into it). -- Laura Gustafsson, Pixelache co-director List of works: Bengisu Uykusu: My Own Greenhouse 5:59 Maximilian Latva: Makasiini palaa 6:47 Ola Zielińska: Witnessing in resonance. Sonic report on disobedience. 29:32 caitlin davis fisher: Resisting Market Enclosure & Imagining Another (Football) Future / Dear Market 4:47 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Mariana Salgado - Diseño y diáspora ep. 194 Arturo Escobar Este es un episodio de Diseño y diáspora podcast, donde Mariana Salgado entrevista a Arturo Escobar, un antropólogo colombiano que hace mucho tiempo viene inspirando y guiando el trabajo de diseñadores. Él sabe cómo explicar procesos complejos de una manera que lo hace parecer simple y ofrece una visión para transformar los mundos. Según Arturo el diseño tiene que ver con la construcción de los mundos y pensar qué es la vida, y eso lo hizo acercarse a la disciplina. También encontró en la relación que tiene el diseño con la creación una manera de entender la lucha política y el activismo. Él trabaja con grupos de origen africano en Colombia y feminismo negro. Y nos recuerda la importancia de “pensar con quién pensamos y desde donde pensamos. Si pensamos con los movimientos sociales, no solo con los libros, ya estamos haciendo una intervención”. Y nos propone que podemos anticipar, para que las cosas que van emergiendo, se vayan conectando las unas con las otras para que vayan surgiendo rizomas, redes autoorganizadas y que surjan alternativas radicales, viables y creíbles. This is a program in Spanish. Credits, Diseño y diáspora podcast Website: disenoydiaspora.org Artist name: Mariana Salgado Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Mariana Salgado - Diseño y diáspora ep. 194 Arturo Escobar Este es un episodio de Diseño y diáspora podcast, donde Mariana Salgado entrevista a Arturo Escobar, un antropólogo colombiano que hace mucho tiempo viene inspirando y guiando el trabajo de diseñadores. Él sabe cómo explicar procesos complejos de una manera que lo hace parecer simple y ofrece una visión para transformar los mundos. Según Arturo el diseño tiene que ver con la construcción de los mundos y pensar qué es la vida, y eso lo hizo acercarse a la disciplina. También encontró en la relación que tiene el diseño con la creación una manera de entender la lucha política y el activismo. Él trabaja con grupos de origen africano en Colombia y feminismo negro. Y nos recuerda la importancia de “pensar con quién pensamos y desde donde pensamos. Si pensamos con los movimientos sociales, no solo con los libros, ya estamos haciendo una intervención”. Y nos propone que podemos anticipar, para que las cosas que van emergiendo, se vayan conectando las unas con las otras para que vayan surgiendo rizomas, redes autoorganizadas y que surjan alternativas radicales, viables y creíbles. This is a program in Spanish. Credits, Diseño y diáspora podcast Website: disenoydiaspora.org Artist name: Mariana Salgado Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Mariana Salgado - Diseño y diáspora ep. 194 Arturo Escobar Este es un episodio de Diseño y diáspora podcast, donde Mariana Salgado entrevista a Arturo Escobar, un antropólogo colombiano que hace mucho tiempo viene inspirando y guiando el trabajo de diseñadores. Él sabe cómo explicar procesos complejos de una manera que lo hace parecer simple y ofrece una visión para transformar los mundos. Según Arturo el diseño tiene que ver con la construcción de los mundos y pensar qué es la vida, y eso lo hizo acercarse a la disciplina. También encontró en la relación que tiene el diseño con la creación una manera de entender la lucha política y el activismo. Él trabaja con grupos de origen africano en Colombia y feminismo negro. Y nos recuerda la importancia de “pensar con quién pensamos y desde donde pensamos. Si pensamos con los movimientos sociales, no solo con los libros, ya estamos haciendo una intervención”. Y nos propone que podemos anticipar, para que las cosas que van emergiendo, se vayan conectando las unas con las otras para que vayan surgiendo rizomas, redes autoorganizadas y que surjan alternativas radicales, viables y creíbles. This is a program in Spanish. Credits, Diseño y diáspora podcast Website: disenoydiaspora.org Artist name: Mariana Salgado Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Mariana Salgado - Diseño y diáspora ep. 194 Arturo Escobar Este es un episodio de Diseño y diáspora podcast, donde Mariana Salgado entrevista a Arturo Escobar, un antropólogo colombiano que hace mucho tiempo viene inspirando y guiando el trabajo de diseñadores. Él sabe cómo explicar procesos complejos de una manera que lo hace parecer simple y ofrece una visión para transformar los mundos. Según Arturo el diseño tiene que ver con la construcción de los mundos y pensar qué es la vida, y eso lo hizo acercarse a la disciplina. También encontró en la relación que tiene el diseño con la creación una manera de entender la lucha política y el activismo. Él trabaja con grupos de origen africano en Colombia y feminismo negro. Y nos recuerda la importancia de “pensar con quién pensamos y desde donde pensamos. Si pensamos con los movimientos sociales, no solo con los libros, ya estamos haciendo una intervención”. Y nos propone que podemos anticipar, para que las cosas que van emergiendo, se vayan conectando las unas con las otras para que vayan surgiendo rizomas, redes autoorganizadas y que surjan alternativas radicales, viables y creíbles. This is a program in Spanish. Credits, Diseño y diáspora podcast Website: disenoydiaspora.org Artist name: Mariana Salgado Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
a spark in a barn, in the body, in an oppressing society is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist is about how bodies resonate with the environment – sometimes creating disharmony and destruction. Bengisu Uykusu’s work processes the conflicted feelings one easily develops towards people and things that one has grown up with. She writes that her loneliness, desire, and fury are peering around the edges of her piece. (This is one of those that made me laugh, in an uneasy way, though). Maximilian Latva’s work is nostalgic to those of us who remember the Helsinki Makasiinit, a sort of center for underground culture before people were evicted from there and the place was burnt (it felt like a sacrifice, somehow). The piece also addresses the theme of burnout and what the city surroundings might feel like for a traumatized individual. In Ola Zielińska’s sonic report individuals join their force and rise against the oppressor. Poland’s government has failed its female citizens – along with LGBTQI people and many others (so many, that in fact together they are the majority) – who now begin to create their own communities and bonds. Witnessing in resonance is a powerful testimony about fear, rage, and solidarity. caitlin davis fisher, a former professional footballer, also strikes the patriarchal society in her beautifully intense spoken word piece (I assume a good game must feel exactly like that if you’re into it). -- Laura Gustafsson, Pixelache co-director List of works: Bengisu Uykusu: My Own Greenhouse 5:59 Maximilian Latva: Makasiini palaa 6:47 Ola Zielińska: Witnessing in resonance. Sonic report on disobedience. 29:32 caitlin davis fisher: Resisting Market Enclosure & Imagining Another (Football) Future / Dear Market 4:47 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
a spark in a barn, in the body, in an oppressing society is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: This playlist is about how bodies resonate with the environment – sometimes creating disharmony and destruction. Bengisu Uykusu’s work processes the conflicted feelings one easily develops towards people and things that one has grown up with. She writes that her loneliness, desire, and fury are peering around the edges of her piece. (This is one of those that made me laugh, in an uneasy way, though). Maximilian Latva’s work is nostalgic to those of us who remember the Helsinki Makasiinit, a sort of center for underground culture before people were evicted from there and the place was burnt (it felt like a sacrifice, somehow). The piece also addresses the theme of burnout and what the city surroundings might feel like for a traumatized individual. In Ola Zielińska’s sonic report individuals join their force and rise against the oppressor. Poland’s government has failed its female citizens – along with LGBTQI people and many others (so many, that in fact together they are the majority) – who now begin to create their own communities and bonds. Witnessing in resonance is a powerful testimony about fear, rage, and solidarity. caitlin davis fisher, a former professional footballer, also strikes the patriarchal society in her beautifully intense spoken word piece (I assume a good game must feel exactly like that if you’re into it). -- Laura Gustafsson, Pixelache co-director List of works: Bengisu Uykusu: My Own Greenhouse 5:59 Maximilian Latva: Makasiini palaa 6:47 Ola Zielińska: Witnessing in resonance. Sonic report on disobedience. 29:32 caitlin davis fisher: Resisting Market Enclosure & Imagining Another (Football) Future / Dear Market 4:47 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Live coverage from Pixelache Festival, Helsinki Highlights include: Anastasia Artemeva & Arlene Tucker: Free Translation Session, Interview with Jonna Lehto, DJ Deepneue, and more! Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the pixelache collective: Mariana Salgado - Diseño y diáspora ep. 194 Arturo Escobar Este es un episodio de Diseño y diáspora podcast, donde Mariana Salgado entrevista a Arturo Escobar, un antropólogo colombiano que hace mucho tiempo viene inspirando y guiando el trabajo de diseñadores. Él sabe cómo explicar procesos complejos de una manera que lo hace parecer simple y ofrece una visión para transformar los mundos. Según Arturo el diseño tiene que ver con la construcción de los mundos y pensar qué es la vida, y eso lo hizo acercarse a la disciplina. También encontró en la relación que tiene el diseño con la creación una manera de entender la lucha política y el activismo. Él trabaja con grupos de origen africano en Colombia y feminismo negro. Y nos recuerda la importancia de “pensar con quién pensamos y desde donde pensamos. Si pensamos con los movimientos sociales, no solo con los libros, ya estamos haciendo una intervención”. Y nos propone que podemos anticipar, para que las cosas que van emergiendo, se vayan conectando las unas con las otras para que vayan surgiendo rizomas, redes autoorganizadas y que surjan alternativas radicales, viables y creíbles. This is a program in Spanish. Credits, Diseño y diáspora podcast Website: disenoydiaspora.org Artist name: Mariana Salgado Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Fugitive Radio Event live at Oodi Helsinki - join us for improvised radio exploration of the area around Oodi Libray. fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. If you’re curious to make live experimental radio with us, bring your smartphone and a pair of wired earbuds. These work as an antenna if your smartphone has an FM receiver (look for the app!) Also bring a bluetooth speaker if you have one. After a little warm up, we will begin streaming online between 15.00 and 16.00 each day. We will also be broadcasting to a limited range around Oodi on 91.4 FM. If you can’t make it to Oodi library you could join us remotely — we’re working on a platform! Updates will be posted on fugitive-radio.net and our Telegram channel. Follow us on Insta: fugitive.radio. Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt and multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Live coverage from Pixelache Festival, Helsinki Highlights include: Marketa Dolejsova & Annukka Svanda: Bring Your Own Kitchen, Chat with festival directors, Andrew making fruit leather outside Oodi, and more! Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 1: Val di Fiemme is part of a collection of curated audio works for Pixelache Festival 2021. Benoit Boris spent June 2020 in Val di Fiemme in the Dolomites with Francesca Bolognesi, the co-author of this documentary creation. They followed the men of the region who were choosing the fir trees that would best suit for violins. Audio work: Benoit Boris: La foresta dei violini 1:06:53 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 1: Val di Fiemme is part of a collection of curated audio works for Pixelache Festival 2021. Benoit Boris spent June 2020 in Val di Fiemme in the Dolomites with Francesca Bolognesi, the co-author of this documentary creation. They followed the men of the region who were choosing the fir trees that would best suit for violins. Audio work: Benoit Boris: La foresta dei violini 1:06:53 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 1: Val di Fiemme is part of a collection of curated audio works for Pixelache Festival 2021. Benoit Boris spent June 2020 in Val di Fiemme in the Dolomites with Francesca Bolognesi, the co-author of this documentary creation. They followed the men of the region who were choosing the fir trees that would best suit for violins. Audio work: Benoit Boris: La foresta dei violini 1:06:53 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 1: Val di Fiemme is part of a collection of curated audio works for Pixelache Festival 2021. Benoit Boris spent June 2020 in Val di Fiemme in the Dolomites with Francesca Bolognesi, the co-author of this documentary creation. They followed the men of the region who were choosing the fir trees that would best suit for violins. Audio work: Benoit Boris: La foresta dei violini 1:06:53 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache travel guide part 1: Val di Fiemme is part of a collection of curated audio works for Pixelache Festival 2021. Benoit Boris spent June 2020 in Val di Fiemme in the Dolomites with Francesca Bolognesi, the co-author of this documentary creation. They followed the men of the region who were choosing the fir trees that would best suit for violins. Audio work: Benoit Boris: La foresta dei violini 1:06:53 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Fugitive Radio Event live at Oodi Helsinki - join us for ‘Poethical De-Scriptings‘ — introducing listeners to audio descriptions & accessibility. fugitive radio is planning a series of live and collectively produced outside broadcasts for Pixelache #Burn. We will meet outside Oodi Central Library from 14.00 everyday of the festival. If you’re curious to make live experimental radio with us, bring your smartphone and a pair of wired earbuds. These work as an antenna if your smartphone has an FM receiver (look for the app!) Also bring a bluetooth speaker if you have one. After a little warm up, we will begin streaming online between 15.00 and 16.00 each day. We will also be broadcasting to a limited range around Oodi on 91.4 FM. If you can’t make it to Oodi library you could join us remotely — we’re working on a platform! Updates will be posted on fugitive-radio.net and our Telegram channel. Follow us on Insta: fugitive.radio. Sumugan Sivanesan is an anti-disciplinary artist and writer based in Berlin. Since August 2020, he has developed fugitive radio in Helsinki over a series of broadcasts and events in collaboration with curator and writer Irina Mutt and multimedia artist Suva Das. http://fugitive-radio.net/ Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
David Goren is a radio producer and sound artist from Brooklyn New York. One of his ongoing projects is the "Brooklyn Pirate Radio Sound Map". With him we discuss pirate radio in New York City, Community and Public Radio in the USA, and practices like DXing and radio listening, shortwave, AM and FM broadcast and the future of radio. The show features an interview with David Goren and a radio piece called "Irradiant Waves Over New York City" which takes us on a journey through the pirate brooklyn airwaves. This show was commissioned by XRCB.CAT (Barcelona Community Radio Network), and El Born Centre de Cultura i Memòria for the project "Radio Paradigma Mur". Credits: Interview, Antònia Folguera Irradiant Waves piece by David Goren Irradiant waves was commissioned by the project "Paradigma Mur", a collaboration between XRCB.CAT (Barcelona Community Radio Network) and El Born Centre de Cultura i Memòria. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
David Goren is a radio producer and sound artist from Brooklyn New York. One of his ongoing projects is the "Brooklyn Pirate Radio Sound Map". With him we discuss pirate radio in New York City, Community and Public Radio in the USA, and practices like DXing and radio listening, shortwave, AM and FM broadcast and the future of radio. The show features an interview with David Goren and a radio piece called "Irradiant Waves Over New York City" which takes us on a journey through the pirate brooklyn airwaves. This show was commissioned by XRCB.CAT (Barcelona Community Radio Network), and El Born Centre de Cultura i Memòria for the project "Radio Paradigma Mur". Credits: Interview, Antònia Folguera Irradiant Waves piece by David Goren Irradiant waves was commissioned by the project "Paradigma Mur", a collaboration between XRCB.CAT (Barcelona Community Radio Network) and El Born Centre de Cultura i Memòria. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
David Goren is a radio producer and sound artist from Brooklyn New York. One of his ongoing projects is the "Brooklyn Pirate Radio Sound Map". With him we discuss pirate radio in New York City, Community and Public Radio in the USA, and practices like DXing and radio listening, shortwave, AM and FM broadcast and the future of radio. The show features an interview with David Goren and a radio piece called "Irradiant Waves Over New York City" which takes us on a journey through the pirate brooklyn airwaves. This show was commissioned by XRCB.CAT (Barcelona Community Radio Network), and El Born Centre de Cultura i Memòria for the project "Radio Paradigma Mur". Credits: Interview, Antònia Folguera Irradiant Waves piece by David Goren Irradiant waves was commissioned by the project "Paradigma Mur", a collaboration between XRCB.CAT (Barcelona Community Radio Network) and El Born Centre de Cultura i Memòria. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
David Goren is a radio producer and sound artist from Brooklyn New York. One of his ongoing projects is the "Brooklyn Pirate Radio Sound Map". With him we discuss pirate radio in New York City, Community and Public Radio in the USA, and practices like DXing and radio listening, shortwave, AM and FM broadcast and the future of radio. The show features an interview with David Goren and a radio piece called "Irradiant Waves Over New York City" which takes us on a journey through the pirate brooklyn airwaves. This show was commissioned by XRCB.CAT (Barcelona Community Radio Network), and El Born Centre de Cultura i Memòria for the project "Radio Paradigma Mur". Credits: Interview, Antònia Folguera Irradiant Waves piece by David Goren Irradiant waves was commissioned by the project "Paradigma Mur", a collaboration between XRCB.CAT (Barcelona Community Radio Network) and El Born Centre de Cultura i Memòria. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
David Goren is a radio producer and sound artist from Brooklyn New York. One of his ongoing projects is the "Brooklyn Pirate Radio Sound Map". With him we discuss pirate radio in New York City, Community and Public Radio in the USA, and practices like DXing and radio listening, shortwave, AM and FM broadcast and the future of radio. The show features an interview with David Goren and a radio piece called "Irradiant Waves Over New York City" which takes us on a journey through the pirate brooklyn airwaves. This show was commissioned by XRCB.CAT (Barcelona Community Radio Network), and El Born Centre de Cultura i Memòria for the project "Radio Paradigma Mur". Credits: Interview, Antònia Folguera Irradiant Waves piece by David Goren Irradiant waves was commissioned by the project "Paradigma Mur", a collaboration between XRCB.CAT (Barcelona Community Radio Network) and El Born Centre de Cultura i Memòria. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
In Between the Worlds is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: As a more content orientated person it is difficult for me to say whether any kind of harmony can be found in this combination. From Ileana Ghergina’s enchanting reading, which makes me feel like I’m sailing in Ancient Aegean sea, to Jairo Acosta Lara’s piece that takes me back to my childhood but with a foreign accent, and then to Orkida Braculla’s more melancholic sound work where she wanders between her motherland Albania and Poland, her new home. Braculla contextualizes her work by reminding that nostalgia used to be considered a medical condition —  one of its symptoms being the ability to “hear voices” from the past. Autoturk’s Versatile Substance takes on the theme of lost places and memories by using in its dialogues languages from the members’ former or current home countries (China, Brazil and Russia). According to Autoturk they aim at making “militant drama for the ears” which is in some way also the case with Yuri Bruscky’s “granulogram”, Juntando os Cacos. Name, Picking up the pieces, refers to reorganizing one’s life and moving forward, but it is, I believe, also the method of how the work has been made (in my ear the noise sounds a bit like the main character in Alien movies). -- Laura Gustafsson, Pixelache co-director List of works: Ileana Ghergina: Magdalena (Burnt away)     1:03 Jairo Acosta Lara: Mi mundo suena ... / My world sounds like…   10:12 Orkida Braculla: Nostalg[j]ia     4:50 Autoturk (Lena Kilina, Adam Sinykin, Sofya Chibisguleva): Versatile Substance   15:00 Yuri Bruscky: Juntando os Cacos (Picking Up The Pieces)     5:00 Ileana Ghergina: Burnt/Half-burning the poem out of me (Shakespeare sonnet 116) 1:23 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In Between the Worlds is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: As a more content orientated person it is difficult for me to say whether any kind of harmony can be found in this combination. From Ileana Ghergina’s enchanting reading, which makes me feel like I’m sailing in Ancient Aegean sea, to Jairo Acosta Lara’s piece that takes me back to my childhood but with a foreign accent, and then to Orkida Braculla’s more melancholic sound work where she wanders between her motherland Albania and Poland, her new home. Braculla contextualizes her work by reminding that nostalgia used to be considered a medical condition —  one of its symptoms being the ability to “hear voices” from the past. Autoturk’s Versatile Substance takes on the theme of lost places and memories by using in its dialogues languages from the members’ former or current home countries (China, Brazil and Russia). According to Autoturk they aim at making “militant drama for the ears” which is in some way also the case with Yuri Bruscky’s “granulogram”, Juntando os Cacos. Name, Picking up the pieces, refers to reorganizing one’s life and moving forward, but it is, I believe, also the method of how the work has been made (in my ear the noise sounds a bit like the main character in Alien movies). -- Laura Gustafsson, Pixelache co-director List of works: Ileana Ghergina: Magdalena (Burnt away)     1:03 Jairo Acosta Lara: Mi mundo suena ... / My world sounds like…   10:12 Orkida Braculla: Nostalg[j]ia     4:50 Autoturk (Lena Kilina, Adam Sinykin, Sofya Chibisguleva): Versatile Substance   15:00 Yuri Bruscky: Juntando os Cacos (Picking Up The Pieces)     5:00 Ileana Ghergina: Burnt/Half-burning the poem out of me (Shakespeare sonnet 116) 1:23 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In Between the Worlds is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: As a more content orientated person it is difficult for me to say whether any kind of harmony can be found in this combination. From Ileana Ghergina’s enchanting reading, which makes me feel like I’m sailing in Ancient Aegean sea, to Jairo Acosta Lara’s piece that takes me back to my childhood but with a foreign accent, and then to Orkida Braculla’s more melancholic sound work where she wanders between her motherland Albania and Poland, her new home. Braculla contextualizes her work by reminding that nostalgia used to be considered a medical condition —  one of its symptoms being the ability to “hear voices” from the past. Autoturk’s Versatile Substance takes on the theme of lost places and memories by using in its dialogues languages from the members’ former or current home countries (China, Brazil and Russia). According to Autoturk they aim at making “militant drama for the ears” which is in some way also the case with Yuri Bruscky’s “granulogram”, Juntando os Cacos. Name, Picking up the pieces, refers to reorganizing one’s life and moving forward, but it is, I believe, also the method of how the work has been made (in my ear the noise sounds a bit like the main character in Alien movies). -- Laura Gustafsson, Pixelache co-director List of works: Ileana Ghergina: Magdalena (Burnt away)     1:03 Jairo Acosta Lara: Mi mundo suena ... / My world sounds like…   10:12 Orkida Braculla: Nostalg[j]ia     4:50 Autoturk (Lena Kilina, Adam Sinykin, Sofya Chibisguleva): Versatile Substance   15:00 Yuri Bruscky: Juntando os Cacos (Picking Up The Pieces)     5:00 Ileana Ghergina: Burnt/Half-burning the poem out of me (Shakespeare sonnet 116) 1:23 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
In Between the Worlds is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: As a more content orientated person it is difficult for me to say whether any kind of harmony can be found in this combination. From Ileana Ghergina’s enchanting reading, which makes me feel like I’m sailing in Ancient Aegean sea, to Jairo Acosta Lara’s piece that takes me back to my childhood but with a foreign accent, and then to Orkida Braculla’s more melancholic sound work where she wanders between her motherland Albania and Poland, her new home. Braculla contextualizes her work by reminding that nostalgia used to be considered a medical condition —  one of its symptoms being the ability to “hear voices” from the past. Autoturk’s Versatile Substance takes on the theme of lost places and memories by using in its dialogues languages from the members’ former or current home countries (China, Brazil and Russia). According to Autoturk they aim at making “militant drama for the ears” which is in some way also the case with Yuri Bruscky’s “granulogram”, Juntando os Cacos. Name, Picking up the pieces, refers to reorganizing one’s life and moving forward, but it is, I believe, also the method of how the work has been made (in my ear the noise sounds a bit like the main character in Alien movies). -- Laura Gustafsson, Pixelache co-director List of works: Ileana Ghergina: Magdalena (Burnt away)     1:03 Jairo Acosta Lara: Mi mundo suena ... / My world sounds like…   10:12 Orkida Braculla: Nostalg[j]ia     4:50 Autoturk (Lena Kilina, Adam Sinykin, Sofya Chibisguleva): Versatile Substance   15:00 Yuri Bruscky: Juntando os Cacos (Picking Up The Pieces)     5:00 Ileana Ghergina: Burnt/Half-burning the poem out of me (Shakespeare sonnet 116) 1:23 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Rasų radijas (Rasos radio), rasuradijas.lt – presents interdisciplinary festival Ūmėdė*: x⬳disciplinary symposium for emerging art & related matters. What happened after the meteorite of the anthropocene has hit contemporary art, and bioactivists together with AI and XR* have exploded the discourse formerly known as media? During the show you will hear festival presentation by Ūmedė aristic director Vytautas Michelkevičius and cocurators Ignas Pavliukevičius and Gailė Griciūtė as well as collection of sound works by selected Ūmedė sound artists: Szuszkiewicz, Audrius Šimkūnas, Heta Bilaletdin, Adomas Palekas, Laurynas Jukonis. Sound compositions: Kamil Szuszkiewicz – Spiewak (Singer) Audrius Šimkūnas – Forest Drone Heta Bilaletdin – sound composition for an installation SYNX Adomas Palekas – An excerpt from live performance Some Plastic Laurynas Jukonis. –project NULIS:S:S:S Voices: Gailė Griciūtė, Vytautas Muchelkevičius and Ignas Pavliukevičius Sound engineer Gailė Griciūtė umede.lt rasuradijas.lt Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
In Between the Worlds is a collection of selected audio works for Pixelache Festival 2021, curated by festival co-director Laura Gustafsson: As a more content orientated person it is difficult for me to say whether any kind of harmony can be found in this combination. From Ileana Ghergina’s enchanting reading, which makes me feel like I’m sailing in Ancient Aegean sea, to Jairo Acosta Lara’s piece that takes me back to my childhood but with a foreign accent, and then to Orkida Braculla’s more melancholic sound work where she wanders between her motherland Albania and Poland, her new home. Braculla contextualizes her work by reminding that nostalgia used to be considered a medical condition —  one of its symptoms being the ability to “hear voices” from the past. Autoturk’s Versatile Substance takes on the theme of lost places and memories by using in its dialogues languages from the members’ former or current home countries (China, Brazil and Russia). According to Autoturk they aim at making “militant drama for the ears” which is in some way also the case with Yuri Bruscky’s “granulogram”, Juntando os Cacos. Name, Picking up the pieces, refers to reorganizing one’s life and moving forward, but it is, I believe, also the method of how the work has been made (in my ear the noise sounds a bit like the main character in Alien movies). -- Laura Gustafsson, Pixelache co-director List of works: Ileana Ghergina: Magdalena (Burnt away)     1:03 Jairo Acosta Lara: Mi mundo suena ... / My world sounds like…   10:12 Orkida Braculla: Nostalg[j]ia     4:50 Autoturk (Lena Kilina, Adam Sinykin, Sofya Chibisguleva): Versatile Substance   15:00 Yuri Bruscky: Juntando os Cacos (Picking Up The Pieces)     5:00 Ileana Ghergina: Burnt/Half-burning the poem out of me (Shakespeare sonnet 116) 1:23 Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Live coverage from Pixelache Festival, Helsinki Highlights include: Border Control Guests, Ernie’s Pop Up Spa, Taneli Viljanen and more! Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache festival radio is featuring podcasts by members of the Pixelache collective: Sophie Hope & Owen Kelly - Meanwhile in an abandoned warehouse Episode 042: A day on the commons Owen Kelly joins Sophie Hope for an examination of the commons, and its possible relationship to ideas of cultural democracy. They base their discussion on a reading of Guy Standing’s book Plunder of the Commons. They also borrow ideas from David Bollier’s book Think Like a Commoner. Presenters: Sophie Hope & Owen Kelly Soundscapes and theme: Negrava Episode 045: A Little Piece of Land A Little Piece of Land operates as a cultural project and creative exploration on a small triangle of land near Sheffield, about half an acre in size and surrounded on all sides by miles of industrial scale agriculture. In this episode Monika Dutta and Jake Harries discuss with Sophie Hope and Owen Kelly. They explain “what it is actually like” to engage in this work, not just in theory but in day to day practice. How does rewilding work? How do they know what they can eat? How do they know how to cook it? How do they relate to their neighbours, and how do their neighbours relate to them? Presenters: Sophie Hope & Owen Kelly Guests: Jake Harries, Monika Dutta Soundscapes and theme: Negrava Website: https://miaaw.net
Pixelache festival radio is featuring podcasts by members of the Pixelache collective: Sophie Hope & Owen Kelly - Meanwhile in an abandoned warehouse Episode 042: A day on the commons Owen Kelly joins Sophie Hope for an examination of the commons, and its possible relationship to ideas of cultural democracy. They base their discussion on a reading of Guy Standing’s book Plunder of the Commons. They also borrow ideas from David Bollier’s book Think Like a Commoner. Presenters: Sophie Hope & Owen Kelly Soundscapes and theme: Negrava Episode 045: A Little Piece of Land A Little Piece of Land operates as a cultural project and creative exploration on a small triangle of land near Sheffield, about half an acre in size and surrounded on all sides by miles of industrial scale agriculture. In this episode Monika Dutta and Jake Harries discuss with Sophie Hope and Owen Kelly. They explain “what it is actually like” to engage in this work, not just in theory but in day to day practice. How does rewilding work? How do they know what they can eat? How do they know how to cook it? How do they relate to their neighbours, and how do their neighbours relate to them? Presenters: Sophie Hope & Owen Kelly Guests: Jake Harries, Monika Dutta Soundscapes and theme: Negrava Website: https://miaaw.net
Pixelache festival radio is featuring podcasts by members of the Pixelache collective: Sophie Hope & Owen Kelly - Meanwhile in an abandoned warehouse Episode 042: A day on the commons Owen Kelly joins Sophie Hope for an examination of the commons, and its possible relationship to ideas of cultural democracy. They base their discussion on a reading of Guy Standing’s book Plunder of the Commons. They also borrow ideas from David Bollier’s book Think Like a Commoner. Presenters: Sophie Hope & Owen Kelly Soundscapes and theme: Negrava Episode 045: A Little Piece of Land A Little Piece of Land operates as a cultural project and creative exploration on a small triangle of land near Sheffield, about half an acre in size and surrounded on all sides by miles of industrial scale agriculture. In this episode Monika Dutta and Jake Harries discuss with Sophie Hope and Owen Kelly. They explain “what it is actually like” to engage in this work, not just in theory but in day to day practice. How does rewilding work? How do they know what they can eat? How do they know how to cook it? How do they relate to their neighbours, and how do their neighbours relate to them? Presenters: Sophie Hope & Owen Kelly Guests: Jake Harries, Monika Dutta Soundscapes and theme: Negrava Website: https://miaaw.net
Pixelache festival radio is featuring podcasts by members of the Pixelache collective: Sophie Hope & Owen Kelly - Meanwhile in an abandoned warehouse Episode 042: A day on the commons Owen Kelly joins Sophie Hope for an examination of the commons, and its possible relationship to ideas of cultural democracy. They base their discussion on a reading of Guy Standing’s book Plunder of the Commons. They also borrow ideas from David Bollier’s book Think Like a Commoner. Presenters: Sophie Hope & Owen Kelly Soundscapes and theme: Negrava Episode 045: A Little Piece of Land A Little Piece of Land operates as a cultural project and creative exploration on a small triangle of land near Sheffield, about half an acre in size and surrounded on all sides by miles of industrial scale agriculture. In this episode Monika Dutta and Jake Harries discuss with Sophie Hope and Owen Kelly. They explain “what it is actually like” to engage in this work, not just in theory but in day to day practice. How does rewilding work? How do they know what they can eat? How do they know how to cook it? How do they relate to their neighbours, and how do their neighbours relate to them? Presenters: Sophie Hope & Owen Kelly Guests: Jake Harries, Monika Dutta Soundscapes and theme: Negrava Website: https://miaaw.net
Pixelache festival radio is featuring podcasts by members of the Pixelache collective: Sophie Hope & Owen Kelly - Meanwhile in an abandoned warehouse Episode 042: A day on the commons Owen Kelly joins Sophie Hope for an examination of the commons, and its possible relationship to ideas of cultural democracy. They base their discussion on a reading of Guy Standing’s book Plunder of the Commons. They also borrow ideas from David Bollier’s book Think Like a Commoner. Presenters: Sophie Hope & Owen Kelly Soundscapes and theme: Negrava Episode 045: A Little Piece of Land A Little Piece of Land operates as a cultural project and creative exploration on a small triangle of land near Sheffield, about half an acre in size and surrounded on all sides by miles of industrial scale agriculture. In this episode Monika Dutta and Jake Harries discuss with Sophie Hope and Owen Kelly. They explain “what it is actually like” to engage in this work, not just in theory but in day to day practice. How does rewilding work? How do they know what they can eat? How do they know how to cook it? How do they relate to their neighbours, and how do their neighbours relate to them? Presenters: Sophie Hope & Owen Kelly Guests: Jake Harries, Monika Dutta Soundscapes and theme: Negrava Website: https://miaaw.net
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
After 20 years of the Wikipedia project,
CreativeCommons and others in digital publishing
(like MIT OpenCourseWare, Drupal...),
but maybe also 30 years of GNU/Linux…
...what could be reflection/perspectives on digital commons from 20 years ago, NOW and for moving 10 years forward… ...what was there to BURN (if not forget) and what is burning (diminishing)… ...in order to make media-tech fields more socially and culturally informed and inspirational beyond paradigms of consumption (not only of products, but also services and volunteer labor).
MOST BASIC BIOGRAPHICAL TEXT: Z. Blace and Rebecca O'Neill are Wikimedians engaged with multiple projects that are related to open media content, open knowledge and cultural practices, with concerns over the relations of modalities, scales, resources and sustainability.
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
In this session we discuss some of the issues young people in Pakistan and across the world are facing in their creative pursuits. We talk about the power of art and the important role it can have in its ability to aid young people in their search for meaning. Atteqa Malik - producer Channan Hanif - guest speaker, music and sound design Sadiq Malik- production assistant Arsalan Malik - poem Amina Zoomkawala - filming Miraal Habib - image design, filming and editing Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
In this session we discuss some of the issues young people in Pakistan and across the world are facing in their creative pursuits. We talk about the power of art and the important role it can have in its ability to aid young people in their search for meaning. Atteqa Malik - producer Channan Hanif - guest speaker, music and sound design Sadiq Malik- production assistant Arsalan Malik - poem Amina Zoomkawala - filming Miraal Habib - image design, filming and editing Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
In this session we discuss some of the issues young people in Pakistan and across the world are facing in their creative pursuits. We talk about the power of art and the important role it can have in its ability to aid young people in their search for meaning. Atteqa Malik - producer Channan Hanif - guest speaker, music and sound design Sadiq Malik- production assistant Arsalan Malik - poem Amina Zoomkawala - filming Miraal Habib - image design, filming and editing Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
In this session we discuss some of the issues young people in Pakistan and across the world are facing in their creative pursuits. We talk about the power of art and the important role it can have in its ability to aid young people in their search for meaning. Atteqa Malik - producer Channan Hanif - guest speaker, music and sound design Sadiq Malik- production assistant Arsalan Malik - poem Amina Zoomkawala - filming Miraal Habib - image design, filming and editing Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
In this session we discuss some of the issues young people in Pakistan and across the world are facing in their creative pursuits. We talk about the power of art and the important role it can have in its ability to aid young people in their search for meaning. Atteqa Malik - producer Channan Hanif - guest speaker, music and sound design Sadiq Malik- production assistant Arsalan Malik - poem Amina Zoomkawala - filming Miraal Habib - image design, filming and editing Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
New audio works from students of the Estonian Academy of Arts curated by John Grzinich. The New Media department of the Estonian Academy of Arts encourages all forms of sonic exploration and it shows in the diversity of engaging works developed by the students. Included here are works created for a Masters Thesis, live stage performance, interactive installation and electronic music composition.
Aron Tihanyi "Acouasm", electronic music composition.
Inga Salurand "Sõnad" and "Sensory Recordings Mixdown", audio works for a cassette based interactive installation, presented at the end of Autumn semester 2020.
Katrin Enni, Jaanika Arum, Helen Västrik "Live at NU Performance Kanuti Gildi Saal, December 2020", documentation of a live collaborative sound performance.
Sarah Elizabeth Johnston "Encounters", Stereo mix of a 6 channel MA thesis installation work. ENCOUNTERS Is a collection of experienced moments that explores what emerges from being engaged with personal memories; the encounter is a recollection of an experience of driving on a remote deserted road and encountering a strange light the local Aboriginals call Min Min (believed to be the spirit of elders that perished at the hands of the first settlers). This is seamlessly followed by an encounter with a Shaman and a near death experience of falling off a waterfall. All descriptions are based on memories of encounters when the body is shocked into fear of the unknown and into the sense of freedom in understanding that there are some things beyond our own understanding that in turn make the understanding of our worlds greater.
https://www.artun.ee/
Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Фрукты Врукты / Frukty Vrukty will tell and show what street art is for them, about their experience in creating street art and how they talk with the city and its inhabitants. More info: http://partizaning.org/?p=10777 https://vk.com/@chasovoy.zavod-ya-professionalnyi-nehudozhnik-kak-permyaki-sozdaut-strit-ar Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Science today is no more a public enterprise: it became controlled by a few big corporations, such as Elsevier, Wiley and Springer-Nature. These commercial companies own most academic journals, where new scientific findings are communicated. Such journals have been the main medium for exchanging information between scientists since XVII century, playing a role in science akin to blood circulation system. But in second half of XX century most important academic journals have been bought by corporations. The price for journals started to increase since then at an extreme speed, making it impossible to access and read them. As a response the Open Access Movement emerged in 1990s, that included many scientists, and many prominent ones. Science continued to collapse however. In 2011 Sci-Hub emerged to save the situation. The project now is helping about 500,000 people every day. «Science and knowledge should not be a private property of some corporation» its creator Alexandra Elbakyan says. Note: This event is by remote participation and will be in Russian, with English interpretation. Наука сегодня уже не принадлежит обществу: её контролируют несколько крупных корпораций, таких, как Elsevier, Wiley и Springer-Nature. Этим коммерическим компаниям принадлежит большинство научных журналов, в которых публикуются результаты новых исследований. Начиная с 17 века, такие журналы были основным способом коммуникации между учеными. Их роль в науке аналогична роли кровеносной системы в организме. Но начиная со второй половины XX века большинство основных научных журналов были скуплены корпорациями. С тех пора цена подписки на научные журналы растет, и выросла до такой степени, что стало невозможно получить к ним доступ и прочитать. Как реакция на эту ситуацию в науке в 1990-х годах возникло движение Открытого Доступа, в котором состоят многие ученые, и многие из них авторитетные. Однако разрушение науки, несмотря на это, продолжилось. В 2011 году, чтобы спасти ситуацию, появился проект Sci-Hub. Сейчас он помогает около 500,000 человек каждый день. «Знание и наука не должны быть частной собственностью некой корпорации» говорит Александра Элбакян, создатель проекта. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Ääniaalto has curated a selection of work to broadcast on Pixelache Festival Radio. ÄÄNIAALTO is an annual festival of audio-visual oddity empowered by the voluntary work of DADA ry in collaboration with Aalto Media Lab and UniArts Helsinki. It aims to nurture and expand the sound/new media scene in Helsinki, and provide an open culture that is accessible to anybody interested. ÄÄNIAALTO presents audiovisual performances under the topics of generative systems, DIY/custom instruments, nonlinear narratives in sound performance, live coding, and the intersection between biology and sound among other explorations. This year’s 6th edition of the ÄÄNIAALTO festival will take place in the Maja Coffee Roastery on 12th of June from 12:00 onwards. Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. This is a live conversation that will happen at Oodi Helsinki. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Thanks to the ASEF Mobility First! Grant, tune in for a Creativity and Well-being Series across 3 Continents: Finland, Pakistan and Australia. This will be a recorded talk. These collaborative 50min podcasts have been curated in memory of young creative Arsalan Malik and include the following topics: “Feel. Think. Do!” - The importance of young creatives getting decision-support to stay at their passion; “Living Musically “ - music and its impact on health;. For topics, speaker sessions and dates please visit our website: gemconnect.com Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
What role does music play in our lives? Can music teach us something about how to live? Dr Tom Cochrane and Faisal Gill discuss how musical improvisation gives us a model of freedom that we can recreate in everyday life. Of particular importance is the idea of working with what we have to hand, rather than imposing a sense of how things are supposed to be. This idea is applied to the use of one’s emotions in a generative way. Host: Dr Tom Cochrane Guest Speaker: Faisal Gill Thanks to Atteqa Malik Music Faisal Gill and Dr Tom Cochrane Editor Siena Bordignon Supported by the Asia-Europe Foundation (ASEF) Partners are Karachi Biennale Trust, Pixelache Helsinki and GEM Connect Pty. Ltd.
The last event of Pixelache Festival Radio!
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
Silvia Hosseini is a writer, critic and teacher based in Tampere. As an ”essayist in residence” she’ll be discussing works, topics and themes of the festival on Radio Helsinki together with Laura Gustafsson. A new conversation will be broadcast every day during the festival. There’ll also be a conversation about writing: How does an essayist approach their topics? How does one write a subjective essay that moves between the personal and universal? What ways are there to write about sound and visual arts? Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
RYBN.org presents a live radio performance based on their project The Great Offshore. The Great Offshore is a long-term artistic research project aiming to highlight the inner mechanisms, networks and agents of offshore finance, and how they shape new kinds of extra-territorialities beyond legislation. The project studies the recent manifestations of offshore within the processes of financialisation of art, citizenship, outer space, waste externalisation, climate change unregulation, etc. Ultimately, the research is an attempt to understand how offshore has grown and spread from its primary form of tax havens to become the new economic norm of globalisation. The radio performance at Pixelache Burn is based on various sonic layers of fractal dimensions: it mixes a proxified audio hunt for the financial spectres haunting Helsinki city center and Oodi's neighborhood, a poetic dérive within the terra incognita of offshore territories, and a systematic deconstruction of the abstract schemes that lies at the core of offshore capitalism. With the participation of Jean-François Blanquet and Tuukka Haapakorpi. For more information: https://m-cult.org/productions/great-offshore Pixelache Festival Radio is broadcast 6-13 June on {openradio} in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. Festival programme at http://burn.pixelache.ac
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances. Invited artists during the course of 2 days will share their artistic practice, methodologies, skills in the context of challenges of today: Krista Dintere (LV) – on time and listening methods in sound art for slowing down; Maija Demitere (LV) – on Slow media art and issues of sustainability; Ieva Vīksne (LV) – of dealing with depression by realtime mental activity driven audio meditation; Jacob Remin (DK) – a sound meditation on loss of control and algorithmic agency; John Grzinich (EE) – on remoteness and telematic sharing possibilities to raise awareness of ecology; Mantautas Krukauskas (LT) – on innovations of spatialized sound; Derek Holzer (SE) – on speculative design of historically informed electronic instruments.
Playlist contains following works:
Burn _Slow - Intro Jacob Remin - To soothe the body electric is a sound meditation on the loss of control and algorithmic agency. A remake of a poem by Walt Whitman. John Grzinich - Tangible futures unheard01 is inspired by concepts of remoteness and telematic sharing possibilities that raise awareness of ecology. Mantautas Krukauskas - LAMENT Krista Dintere - Reflections focus on how listening to music and sounds in the environment changes our perception of time. Ieva Viksne - MAD AMFH is a recording of performance on dealing with depression by realtime mental activity driven audio meditation. Burn_Slow - Open Call intro Evija Vebere - pirma pasaule The idea behind the piece ''Pirmā pasaule'' was to create an organic, evolving space of sound where the listener can tune in and become more present by focusing their attention on what's happening while simultaneously letting their imagination take over. Sarah Elizabeth Johnston - ENCOUNTERS is her master's thesis sound piece Andrejs Poikans – fTM At its core is a practice of revisiting recorded soundscapes and their corresponding imaginary geographies, which get more abstracted with the breakdown of memory in time, thus every reworking of them is an experience of confronting vividness and feebleness. This time it's a revisiting of a trip to Nida, Lithuania in September, 2019, where I collected field recordings and notes in the process of hiking across the Curonian Spit. It is an homage to Thomas Mann and his work "The Magic Mountain" who taught me how to think about extended periods of time. Mann's had a cottage on the Curonian Spit in the 1930's. Ivo Taurins - DAB+ Since the 1990’s the FM analog broadcasting has dominated listener radio devices. The analog world is gradually beginning to be replaced by digital, providing unprecedented new opportunities. In this composition, the author shows this transformation from the analog world to the digital. The analog world remains vague and difficult to hear, but the new digital sound is crystal clear. As a matter of fact, the author leaves it to the listener to decide. Spare Vitola - Vieglakam miegam_For better sleep A composition of violin, electronic instruments and nature sounds. The interaction of clear and high pitches and low, turbulent sound creates a piece that helps the listener to find grounding. Milda Ziemane - faux BIM IN (m)E 2 is an imaginary sonic world of mysterious creatures created by means of voice recordings and postprocessing. Elza Ziverte - Celojums uz OMmmmmm zemi is at a time when the virus is raging in the world and borders are closed, the author has apocalyptic feelings. The world seems so loud and there is a desire to escape, albeit for a short time, and return to a more orderly, peaceful environment. The work reflects moments of life that have not been completely clear in the mind and, turning to the depths of one's mind, the feelings lead to the author's sensory adventures. The journey is not always fun and enjoyable, it can be dark and frightening, but when the time comes, you have to face your fears and worries about the unknown. The sound composition is based on the Musique concrète. The author of the work made 50 different sound recordings. Diana Lelis - META MODERN COUNshitNESS a hommage to the metamodern state of life. Toms Krauklis - tepat in latvian it means "right here" it's a composition was born from a single riff. Looping feels ecological. "tepat" is about being aware of both your surroundings and inner creativity. About the Anthropocene effect on the artist and vice versa. Agita Reke - IN is on the different stages of understanding the ‘’inside’’. Thoughts running around, tickle and scare you. Thoughts that gnaw you and soothe you. In the end it is about trusting your instincts and your inner self. Finding your own inner animal. Being the self. Inga Salurand - S6nad a sensory sound piece created with voice. Ella-Mai Matsina - Rustle of the mind This piece marks the journey to finding freedom in the confines of the city, a place with little nature and wilderness. It also tells about being present, the importance of living in the moment. During the lockdown time flowed differently, days passed but it was all kind of foggy. Moments like the one depicted in this piece helped me stay in touch with the world. Listening to the little mysterious sounds of life, my mind was clear again. Nejausi - Dialogi at MPLab LIVE recording of electronic set of LV experimental music duo Nejausi. Glociks - ReIntermission takes its base from audio installation "Intermission" (exhibited in solo exhibiton "Reference Metadata" at RIXC gallery, Rīga, Latvia, 2019), which consisted of AI-generated 10 hour audio loop, trained upon a small database of audio taken from latvian tv advertisements. The composition of "Reintermission" bases on 8 notch filters, filtering random frequencies, slowly becoming less impactful, in the end revealing the full spectrum of frequencies. Both Intermission and Reintermission takes inspiration of current seemingly normalised oversaturation of advertisiments. MakeMake - Dream Machine Our idea for the track Dream Machine originally came the day after a rather intense studio session. While we usually make tracks with beats but after the session and a walk in a forest the next day we could only produce something that is beatless. It somehow captured the feeling of burning out and letting go. Waterflower - Mushroom-Generated Music Project 002 This audio-visual piece is actually inspired by an amalgamation of all the artist talks that took place during the opening Zoom meeting. There is a little bit of everything there - the impossible instrument, using generative-data to play sound, the mycelium as if a neural network, the the pink oyster mushrooms seen growing in the background during another presentation, and a more selective perception toward the sounds around. This fits hand-in hand with my interest in the audio characteristics of non-music objects. Credits: Project Curators Anna Priedola and Krista Dintere Partners ASTE. Art Science Technology Education, EKA Media Arts, LMTA Music Innovation center, Liepaja University Art Research Lab MpLab, Nordic Culture Point, PIXELACHE Curated Artists Jacob Remin, John Grzinich, Mantautas Krukauskas, Ieva Viksne, Maija Demitere, Krista Dintere Selected Young Sound Artists Evija Vebere, Sarah Elizabeth Johnston, Andrejs Poikans, Ivo Taurins, Spare Vitola, Milda Ziemane, Elza Ziverte, Diana Lelis, Toms Krauklis, Agita Reke, Inga Salurand, Ella-Mai Matsina, Nejausi, Glociks, MakeMake, Waterflower. More info on: https://burn.aste.gallery/listen-explore/ Pixelache Festival, ASTE. Art, Science, Technology, Education, MPLab.
Website: burn.pixelache.ac
https://burn.aste.gallery/
https://mplab.lv/en/
See the June 6 Schedule : Repeat of entire broadcast : burn.pixelache.ac
Our partner Korppiradio has sent some gems from the archive - in this segment you'll hear Sami Salo's Oliota episode Kortti, plus viikon luonnoton ääni! Programmes are in finnish. Olioita - Kortti Olioita: Sami Salo tutkailee nykykulttuurissa eläviä olioita. Beings: Sami Salo investigates contemporary beings in our society. Viikon luonnoton ääni 3 Kuuntelemme viikon luonnottoman äänen Hanna Kaisa Vainion kanssa. We listen to the unnatural sound of the week with Hanna Kaisa Vainio. Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
See the June 7 Schedule : Repeat of entire broadcast : burn.pixelache.ac
See the June 8 Schedule : Repeat of entire broadcast from Tuesday: burn.pixelache.ac Schedule: 04:00 - 04:15 EEST - Essayist in Residence: Silvia Hosseini 04:30 - 05:30 EEST - Pixelache travel guide part 1: Val di Fiemme – selected audio work 05:30 - 06:30 EEST - Karachi Biennale Trust – Realizing One’s Creativity 06:30 - 07:30 EEST - Live from Pixelache Festival : 8.6 07:30 - 08:30 EEST - Fugitive Radio: Improvising radio 08:30 - 9:30 EEST - a spark in a barn, in the body, in an oppressing society – selected audio works 9:30 - 10:35 EEST - Mariana Salgado – Diseño y diáspora (Podcast)
See the June 9 Schedule : Repeat of partial broadcast from Tuesday: burn.pixelache.ac Schedule: 05:00 - 05:15 EEST - Essayist in Residence: Silvia Hosseini 05:30 - 06:30 EEST - Z. Blace with Rebecca O’Neill and Wikimedians on wikiWikiWebs – What was /%/ would be burned ?!. 06:30 - 07:30 EEST - Pixelache travel guide part 2: Random City – selected audio work 07:30 - 08:30 EEST - Ferment Radio – I wish I had superpowers to see microbes and Fermenting our way out of trouble (Podcast)
See the June 10 Schedule : Repeat of partial broadcast from Thursday: burn.pixelache.ac 05:00 - 05:30 - Rasos Radio – Ūmėdė* festival presentation 05:30 - 06:00 - Best of Korppiradio 2 06:00 - 06:30 - hACkathon by Justin Tyler Tate 06:30 - 08:00 - haunting futures, cyborgs and test subjects – selected audio works 08:00 - 09:15 - Sophie Hope, Owen Kelly – Meanwhile in an abandoned warehouse (podcast)
See the June 11 Schedule : Repeat of partial broadcast from Friday: burn.pixelache.ac 5:00 - 6:30 EEST - Estonian Academy of Arts Selection 6:30 - 7:00 EEST - Rasos Radio – Ūmėdė* festival presentation 7:00 - 8:00 EEST - Pixelache travel guide part 3: in the here and now – selected audio works
See the June 12 Schedule : Repeat of partial broadcast from Saturday: burn.pixelache.ac 05:00 - 06:55 EEST - Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being 06:55 - 08:00 EEST - I’ll take care of you – selected audio works 09:00 - 10:00 EEST - RYBN : The Great Offshore radio performance
See the June 13 Schedule : Repeat of partial broadcast from Sunday: burn.pixelache.ac 05:00 - 06:00 EEST - Essayist in Residence: Silvia Hosseini 06:00 - 07:00 EEST - Creativity and Well-being Series across 3 Continents 07:00 - 08:00 EEST - Living Musically
Our partner Korppiradio has sent some gems from the archive - in this segment you'll hear Sami Salo's Oliota episode Kortti, plus viikon luonnoton ääni! Programmes are in finnish. Pornoradio - kirjallisuuskritiikki 2 00:28:26 Pornoradion ensimmäisessä osassa “Hävyttömät sanat – Sanattomat hävyt” Kitty Kaboom on kielen ja hävyttömien sanojen kimpussa professori Janne Saarikiven kanssa. Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Ahead of this afternoon's live performance of The Great Offshore by RYBN you can hear this recently recorded interview, Produced by m-cult, about the larger project behind the performance.
Pixelache Radio partner Korppiradio has sent some gems from the archive - in this segment you'll hear Sami Salo's Oliota episode Kortti, plus viikon luonnoton ääni and Pornoradio! Programmes are in finnish. Olioita - Kortti Olioita: Sami Salo tutkailee nykykulttuurissa eläviä olioita. Beings: Sami Salo investigates contemporary beings in our society. Viikon luonnoton ääni 3 Kuuntelemme viikon luonnottoman äänen Hanna Kaisa Vainion kanssa. We listen to the unnatural sound of the week with Hanna Kaisa Vainio. Pornoradio - kirjallisuuskritiikki 2 00:28:26 Pornoradion ensimmäisessä osassa “Hävyttömät sanat – Sanattomat hävyt” Kitty Kaboom on kielen ja hävyttömien sanojen kimpussa professori Janne Saarikiven kanssa. Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache Radio partner Korppiradio has sent some gems from the archive - in this segment you'll hear Sami Salo's Oliota episode Kortti, plus viikon luonnoton ääni and Pornoradio! Programmes are in finnish. Olioita - Kortti Olioita: Sami Salo tutkailee nykykulttuurissa eläviä olioita. Beings: Sami Salo investigates contemporary beings in our society. Viikon luonnoton ääni 3 Kuuntelemme viikon luonnottoman äänen Hanna Kaisa Vainion kanssa. We listen to the unnatural sound of the week with Hanna Kaisa Vainio. Pornoradio - kirjallisuuskritiikki 2 00:28:26 Pornoradion ensimmäisessä osassa “Hävyttömät sanat – Sanattomat hävyt” Kitty Kaboom on kielen ja hävyttömien sanojen kimpussa professori Janne Saarikiven kanssa. Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache Radio partner Korppiradio has sent some gems from the archive - in this segment you'll hear Sami Salo's Oliota episode Kortti, plus viikon luonnoton ääni and Pornoradio! Programmes are in finnish. Olioita - Kortti Olioita: Sami Salo tutkailee nykykulttuurissa eläviä olioita. Beings: Sami Salo investigates contemporary beings in our society. Viikon luonnoton ääni 3 Kuuntelemme viikon luonnottoman äänen Hanna Kaisa Vainion kanssa. We listen to the unnatural sound of the week with Hanna Kaisa Vainio. Pornoradio - kirjallisuuskritiikki 2 00:28:26 Pornoradion ensimmäisessä osassa “Hävyttömät sanat – Sanattomat hävyt” Kitty Kaboom on kielen ja hävyttömien sanojen kimpussa professori Janne Saarikiven kanssa. Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
Pixelache Radio partner Korppiradio has sent some gems from the archive - in this segment you'll hear Sami Salo's Oliota episode Kortti, plus viikon luonnoton ääni and Pornoradio! Programmes are in finnish. Olioita - Kortti Olioita: Sami Salo tutkailee nykykulttuurissa eläviä olioita. Beings: Sami Salo investigates contemporary beings in our society. Viikon luonnoton ääni 3 Kuuntelemme viikon luonnottoman äänen Hanna Kaisa Vainion kanssa. We listen to the unnatural sound of the week with Hanna Kaisa Vainio. Pornoradio - kirjallisuuskritiikki 2 00:28:26 Pornoradion ensimmäisessä osassa “Hävyttömät sanat – Sanattomat hävyt” Kitty Kaboom on kielen ja hävyttömien sanojen kimpussa professori Janne Saarikiven kanssa. Pixelache Festival Radio is broadcast on {openradio} June 6-13 in partnership with Pixelache, Korppiradio, Oodi library, M-Cult. http://burn.pixelache.ac
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
An audio introduction to Coven Intelligence Program's installation at Pixelache, visual and interactive materials that speak to the entangled STAKES of climate change, racial, heteropatriarchal capitalism, and conceptions of intelligence. "Our InsurgentEcologies Archive is an open digital archive profiling the companies, technologies, crops, locations and labor bound up in precision agriculture. The InsurgentEcologies Archive operates as a guiding compass for revolutionary interventions into technocapitalist agricultural systems. Our SpellWeaver application converts spells into weaving patterns and underground forest networks (rhizomes). SpellWeaver enables a different history of computation -- linking textile production, plant networks, witches and automated computation. In our film, What Plant to Teach Ethics to AI a range of herbalists, witches, shamans, and ethnobotanists answer this question in order to address how AgTech is harvesting massive amounts of data on plants. How do we complexify what is being collected? How do we create data that challenges the perception of plants as isolated bodies and resources?" This project is supported by Colgate University, NY state. The Coven Intelligence Program (efrén cruz cortés, Margaretha Haughwout, Suzanne Husky) is a techno-botanical coven whose science-fictional mission is to encourage emerging revolutionary ecologies of work between witches, plants and machines through the centuries. We track connections between the persecution of witches burned at the stake, the destruction of multi-species commons, and the rise of racial, patriarchal capitalism. The Coven Intelligence Program’s speculative history is broken into three conceptual categories — Signs: naturalcultural formations displayed in early modernity, leading to Prophecies: by witches and other anti -capitalists, that catalyze Spells: for future alliances between witches, plants and machines. We reach backward and forward in time, to early enclosure movements and European colonization, while imagining livable food forest futures where machines support plant communities and resistance networks rather than exploiting them for corporate profit. https://covenintelligence.net/
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Juan DUARTE (MX/FI) Aether Milieu (3 episodes only: I, II, III) Podcast, en español & in english. Juan Duarte works on interactions as a tool for generative art experiments that explore agencies of digital and analog platforms around environmental media. His artistic research, Environmental Media, focuses on a hybrid interaction of technological explorations between human and environmental interfaces. Duarte is a Phd candidate at Aalto University. http://juanduarteregino.com
Furasu Yoru returns to Ntizeza's studio, after a series of radio shows at the park. Join us on this live session of parastrological narrations, just before this year's Halloween night.
For thoughts and comments you can reach us on +30 6987325764 during the show, or if you are in Athens, why not join us live at the studio!
Due to covid-19 restrictions, please let us know you are coming by emailing at ntizeza@gmail.com
The eclipse season is just getting started. The world is going through fast changes. In order to cope more harmoniously with these disturbing, mixed-up, turbid times and transformations, we seek brave new narratives, like the ones FURASU YORU, the resident parastrologist at NTIZEZA, is generously offering on her monthly interactive live show. Join us in person, if you happen to be in Athens, GR (RSVP necessary via email at ntizeza at gmail dot com) or by tuning in and sending us your comments and questions during the show at +30 6987325764. We are in this together.
An audio fanzine, a radio program inside a radio program. Speculating, imagining and discussing about issues, desires and risks of partying or gathering while being queer, migrant or BIPOC. How can we mix politics and pleasure? Is joy a collective responsibility? Through fiction, artistic research, music and storytelling, this broadcast will drift through the streets, the night and its opportunities and challenges. With fugitive radio, Acquelline, lintulintu and Irina.
The Gregorian Calendar may be completely arbitrary & Christmas may have replaced the Winter Solstice and Saturnalia but we are forced to adapt to the existing conditions and welcome the new (even with the current chronological system) year, to celebrate Christmas and of course to experience the transition of the Sagittarius season to Capricorn, making this show the last parastrologies of long-suffering 2021! Join us in this year's last Parastrologies, FURASU YORU's interactive live show, full of anti/paraepistimological mystical narratives. Contact us with your comments and questions during the show on +30 6978325764
The lucky pie with a hidden coin, ‘vasilopita’, is cut traditionally between friends and family every new year’s day in Greece. NTIZEZA and her girlfriends are cutting this year’s vasilopita and casting their spells through another special live group poetry reading. (rescheduled from 4th Jan)
New year, new parastrological narratives by our beloved Furasu Yoru. In this episode: Full Moon in Cancer opposing Pluto in Capricorn during Capricorn season: AKA We'll always have DRAAAMA. Join us live and contact Furasu during the show, via text or by calling on +30 6987325764 (signal, viber, whatsapp)
Saturday, February 12. Two days before Valentine's Day and four before the Full Moon in Aquarius, the Snow Full Moon: Unconventional love affairs or Social Distancing? Join us again for more parastrological narratives, in Furasu Yoru's live interactive monthly show. You can contact Furasu during the show, via text or by calling on +30 6987325764 (signal, viber, whatsapp)
Don't get carried away by the fierety of Aries season and forget the Jupiter & Neptune conjunction in Pisces. Dream BIG aspire BIG but don't get too delusional! Parastrological coping mechanisms for a dystopian present, by the magnificent Furasu Yoru. Listen live and get in touch with Furasu during the show on +30 6987325764 (signal, whatsapp, viber) https://www.facebook.com/ntizeza/
Over forty authors and publishers from the local and international publishing field will participate in the first edition of Under The Leaf Art Book Fair at Monitoimitila O, Helsinki: publishing, installations, gigs, poem reading, and pop-up bicycle café! Welcome! The Book Fair party features a reading by artist Shia Conlon, and performances from Heta Bilaletdin, Victor Gogly and Laua rip. Venue website: http://monitoimitila.fi/
Over forty authors and publishers from the local and international publishing field will participate in the first edition of Under The Leaf Art Book Fair at Monitoimitila O, Helsinki: publishing, installations, gigs, poem reading, and pop-up bicycle café! Welcome! The Book Fair party features a reading by artist Shia Conlon, and performances from Heta Bilaletdin, Victor Gogly and Laua rip. Venue website: http://monitoimitila.fi/
Summer mode is on. Apologies for not having a Taurus season radio show. Blame it to Mercury retrograde. English speaking PARASTROLOGIES Greek Lover's edition to embrace the tourist period in the Greek island of Sifnos. Get ready for a very HOT astrologically speaking summer. Listen live and contact Furasu during the show through our social accounts (Facebook & Instagram) https://www.facebook.com/ntizeza/
Two greek poets and a peruvian poet read in Greek, Spanish and English. They read each other, they read themselves, they read to you. On the walls, strange collective texts written on an island, between stars and insects, in the first residency of Ntizeza. With Vivi Papanikola, Marios Chatziprokopiou and Tilsa Otta
Datscha Radio’s 2022 event “Air on Air” presents a 24/5 hour radio stream of the air in Ii. For two hours each day, 11-13 EEST, we will invite artists and locals alike into our studio to talk about air and present selected works from the open call. For the remaining hours a microphone will transmit the atmospheres of Ii. “Air on Air” will happen from the 16th to the 19th of June 2022, we will be broadcasting directly from the park of the Biennale, close to the banks of the river Iijoki. Daily updates and information about featured artists at https://datscharadio.de
It's Cancer season but you don't know what to care about? Have you lost your emotional investment in life? Are you desperate? It's the end of the cancer season and this summer seems cruel, but don't worry. We're here all together in order to enjoy summertime sadness once more. Listen live and contact Furasu with your comments and questions during the show, through ntizeza's social accounts (Facebook & Instagram)
Leo season is supposed to be Glam, however we remain Precarious. Join us in this flamboyant episode of PARASTROLOGIES, that never forgets to embrace contemporary vulnerability. As usual, Furasu Yoru will be broadcasting live and is open to your comments and questions during the show on +30 698 732 5764 (signal, Viber)
Puistoradio / Park radio 105.0 FM
Local radio programme in Maunula August 23.-28, 2022 / 24 h daily Programme is in Finnish Central Park Archives is a project creating a multi-perspective account of Helsinki's Central Park in collaboration with local residents, artists, researchers and activists. Based on interviews and field recordings of the project, we present a radio programme with stories, soundscapes and live discussions. The programme includes history, observations of the park's flora, fauna and weather phenomena, interlaced with sound ambiences and narratives of citizen activism. The radio broadcast can be listened in the Maunula neighbourhood at 105.0 FM and online at openradio. The programme is presented in context of the Central Park Archives media installation at Maunula House, August 23-27. Produced by M-cult / Central Park Archives, in collaboration with Maunula House and openradio. Follow program updates on facebook https://www.facebook.com/events/575159221010776 Read more in English https://www.m-cult.org/productions/central-park-archives Read more in Finnish https://maunulassa.wordpress.com/ ____ Puistoradio 105.0 FM / openradio 23.-28.8. 2022 / vuorokauden ympäri Puistoradio - paikallinen radiokanava Maunulassa! Keskuspuistoarkistot-projekti rakentaa moninäkökulmaista kertomusta Helsingin Keskuspuistosta yhteistyössä asukkaiden, taiteilijoiden, tutkijoiden ja aktivistien kanssa. Projektin haastattelujen ja äänitysten pohjalta toimitettu Puistoradio-ohjelmisto sisältää tarinoita, ääniympäristöjä ja live-keskusteluja. Aiheina ovat Keskuspuiston historia ja tulevaisuus, havainnot puiston kasveista, eläimistä ja sääilmiöistä, sekä ihmiset puiston puolustajina. Puistoradion ohjelmisto koostuu 2,5 tunnin soittolistasta sekä live-keskusteluista. Ohjelma kuuluu Maunula-talon lähialueella taajuudella 105.0 FM sekä netissä osoitteessa https://openradio.in/event/puistoradio-park-radio Tässä tietoa ohjelmista, seuraa myös päivityksiä facebook-tapahtumassa! LIVE-KESKUSTELUT Haaganpuro Vieraina Teemu Mökkönen ja Atte Sjövall, Haaganpuro-yhteisö Ti 23.8. klo 18 suora lähetys   Ke 24.8. uusinnat klo 14-15 ja 19-20 Kuusikot ja kirjanpainajat Vieraina Vesa Koskikallio, Helsingin ympäristöpalvelut ja Samuli Junttila / Oula Consulting To 25.8. klo 16-17 suora lähetys Keskuspuiston tulevaisuus Vieraina Eeva Kuuluvainen, Kansallinen kaupunkipuisto Helsinkiin -liike ja Yrjö Hakanen, Keskuspuistoryhmä La 27.8. klo 13-14 suora lähetys Suorat lähetykset uusitaan ohjelmistossa ja aikataulu päivittyy tänne. TEEMAOHJELMAT – SOITTOLISTA (2 h 30 min) KAUPUNKIMETSÄN HISTORIA JA TULEVAISUUS – kesto n. 20 minuuttia Puistopolitiikkaa, Maunu Häyrynen / 1910-luku, 1940-luku, 1970-luku, Minna Tarkka KESKUSPUISTON FAUNA – kesto n. 19 minuuttia Liito-oravien kiimaleikit, Peurat, Kanahaukat, Antti Viren / Ruskosammakot, Martin Hackenberg KESKUSPUISTON FLORA – kesto n. 37 minuuttia Vieraslajit ja puistokummi, Orvokki Taskinen / Yhteys luontoon ja vieraslajit, Vappu Turunen / Muuttuva niitty, Minna Tarkka SÄÄ JA TAIVAAT – kesto n. 14 minuuttia Ilmalan observatorio, Minna Tarkka / Tähtihavaintoja, Jorma Ryske / Kiira-myrskyn jäljillä, Martin Hackenberg HAAGANPURO – kesto n. 11 minuuttia Puron äänimaisema, Tuukka Haapakorpi / Maunulanpuron öljykriisi, Susanna Pitkänen LAULU LYIJYLLE –  kesto n. 19 minuuttia Taiteilijan haastattelu: Pia Lindman / Laulu lyijylle -ääniteos Pia Lindman, Tuukka Haapakorpi YLEISKAAVA 2016 – kesto n. 31 minuuttia Pikselien rajamailla, Matti Arponen / Kertomus puistoaktivismin noususta, Maija Hakanen / Ihmisketju, Susanna Pitkänen / Viisi pikseliä Keskuspuistoa, Sanni Seppo Teemaohjelmien välissä tulee kuulutusten lisäksi Kalle Kuisman tunnusmusiikkeja sekä Tuukka Haapakorven ääniympäristöjä. Ohjelma on kuultavissa Maunulan alueella FM-taajudella 105.0 ja verkossa openradio-sivustolla. Puistoradio liittyy Keskuspuistoarkistot-näyttelyyn, joka on avoinna Maunula-talolla 23-27.8. Ohjelmakokonaisuuden tuottaa M-cult yhteistyössä Maunula-talon ja openradion kanssa.
fugitive radio will be appearing at documenta fifteen in Kassel as part of Lumbung Radio. We will be broadcasting live and on the go with special guest Gushi from Okinawa, who is here ‘Composting Knowledge.’ Follow fugitive radio on Insta for updates: https://www.instagram.com/fugitive.radio/
Retrograde Parastrologies 6 planets in retrograde mode plus Mercury is not something to overlook. It's like a time travel to the...past. Were would you chose to travel? Join Furasu Yoru's live broadcast, open as usual to your comments and questions during the show on +30 698 732 5764 (signal, Viber)
NTIZEZA will traditionally commemorate the new year by cutting her vegan vasilopita with a live radio group poetry reading. We will read poems in Greek and English. Tune in or, if you happen to be in Athens, Greece, join us in person at our space in Stoa Fexi, Patision 14, Omonia. For more info please email NTIZEZA at gmail dot com.
A new transdisciplinary process & Hackteria node that includes a kitchen, library and homely semi-public eventspace in West Helsinki-Espoo borderland; Surrounded by water and an expressway, on the island of Tarvo. Online radio will be a core aspect of the project that aims to share voice, reading-aloud, conversation, cooking together, hybrid arts. Inkind support also from Hackteria Global Network online infrastructure. This event on Sunday 29.1.2023 from 17-19 will be the 1st [001] stream sharing hopes, wishes, as well as some poems and prose from the book shelves. Hosted by Andrew Gryf Paterson.
Kitchen Lab Tarvo is a new transdisciplinary process & Hackteria node that includes a kitchen, library and homely semi-public eventspace in West Helsinki-Espoo borderland; Surrounded by water and an expressway, on the island of Tarvo. Online radio will be a core aspect of the project that aims to share voice, reading-aloud, conversation, cooking together, hybrid arts. Inkind support with Visual Communications by Super Eclectic, and online infrastructure from {openradio} and Hackteria Global Network. This Kitchen Lab Tarvo event on Sunday 05.3.2023 from 17-19 EET will be the 2nd [002] estream of the 2023 pilot programme. It is an invite-only anonymous ‘readings’ event which takes place monthly outside a private outdoor tent sauna, but broadcast to online radio. Each month the theme changes, with passages of text selected from the shelves of Kitchen Lab Tarvo home library. The listener will hear spoken word, nature sounds, and the background splash-steam of löyly or light chit-chat.
This Kitchen Lab Tarvo event is an invite-only anonymous ‘readings’ event which takes place monthly outside a private outdoor tent sauna, but broadcast to online radio. Each month the theme changes, with passages of text selected from the shelves of Kitchen Lab Tarvo home library. The listener will hear spoken word, nature and the sound of steam or light chit-chat. This is the 4th [004] occasion & online radio stream of the 2023 pilot programme, with readings from all the library books that have a Mary/Maria/Marja/Masha/Mhairi etc. theme. Kitchen Lab Tarvo is a new transdisciplinary process & Hackteria node (established by Andrew Gryf Paterson, 12.2022) that includes a kitchen, library and homely semi-public eventspace in West Helsinki-Espoo borderland; Surrounded by water and an expressway, on the island of Tarvo. Online radio will be a core aspect of the project that aims to share voice, reading-aloud, conversation, cooking together, hybrid arts. Inkind support online infrastructure from {openradio} and Hackteria Global Network, visual communications by Agnieszka Pokrywka, wood for Outdoor Sauna Readings by Simo Haanpää, and Patreon supporters! Ta very much, Kiitoksia!
Set your alarm clocks! Maastricht art book store Limestone Books [Instagram] opens for 24 hours on the first Thursday of each month. On March 2 it will be joined by Rose Nordin and fugitive radio [Instagram], installing a print salon, radio studio and screening room for the NightShift. At 11pm we will watch Riar Rizaldi’s short film, Becquerel (2021), and host a Q&A with the director. Between midnight and 6am (March 3) we will collectively design and print a zine, Transcription from the night waves, for participants to take home at dawn. Simultaneously we will broadcast a live durational “audio fanzine” on http://p-node.org. For the insomniacs, Maud van den Beuken [Instagram] will entrance us with audio descriptions as Kim David Bots [Instagram] prompts improvised musical interludes. Guests are invited to generate written transcriptions (in any language) and interpretive illustrations to be printed with a Gestetner, typewriter and drawing tools. Songs, chatter, recordings, musical objects and other sound-making matters are all welcome contributions to the radio. We propose that voices from far and wide punctuate the night air. We encourage callers from local farms, South East Asian book stores and North American mountains to summon their surroundings in a communal dream to be documented and interpreted in print and across networks. Please send your texts and voice messages via WhatsApp: +49 1525 7610023. Feel free to bring along sleeping bags, pillows, pyjamas, hot water bottles and whatever else you are comfortable to work in. Tea, coffee and nibbles will be provided. Limestone Books Grote Gracht 63, Maastricht https://linktr.ee/limestone_books Special thanks: Erwin Blok, Jo Frenken, Jan van Eyck Academie, Paul John, πNode
This is a publicly advertised spoken word & poetry event organised inside Kitchen LabTarvo, or on terrace in summer, co-produced with Enostone kustannus on a monthly basis. Starting in early Spring 2023, imagine 'Tiny-Desk' format, but for poets, plus soup! Typically there will be 1-3 poets invited, but there will be an open mic slot also. Onion soup served with croutons (First come first served). Tea refreshment also available. Donations or Patreon subscriptions welcome. This is the 3rd [003] occasion & online radio stream of the 2023 pilot programme, with Enostone kustannus inviting Finnish spoken-word poets Veera Sylvius & Kasper Salonen. More about Enostone kustannus (in Finnish): http://enostone.fi. Kitchen Lab Tarvo is a new transdisciplinary process & Hackteria node (established by Andrew Gryf Paterson, 12.2022) that includes a kitchen, library and homely semi-public eventspace in West Helsinki-Espoo borderland; Surrounded by water and an expressway, on the island of Tarvo. Online radio will be a core aspect of the project that aims to share voice, reading-aloud, conversation, cooking together, hybrid arts. Inkind support online infrastructure from {openradio} and Hackteria Global Network, visual communications by Agnieszka Pokrywka, wood for Outdoor Sauna Readings by Simo Haanpää, and Patreon supporters. Ta very much, Kiitoksia!
This Kitchen Lab Tarvo event on Wednesday 19.4.2023 from 17-19 will be the 5th [005] stream sharing recipes and other readings from the book shelves, hosted by Andrew Gryf Paterson. The readings will change, although some may repeat like a favourite dish. Occasional pre-recorded listening materials will be played as special features, recorded interview morsels, hopefully satisfying the food radio audience. Additionally there will be a repeat broadcast of ‘Deep Fry Club’ audio work (2021) written and directed by Andrew Gryf Paterson, with audio mix by Demitrio Castellucci aka DJ Black Fanfare, that was originally broadcast on 15th November 2021 on  Rasų radijas (Rasos Radio) at SODAS2123 Cultural Centre, Vilnius. Kitchen Lab Tarvo is a new transdisciplinary process & Hackteria node (established by Andrew Gryf Paterson, 12.2022) that includes a kitchen, library and homely semi-public eventspace in West Helsinki-Espoo borderland; Surrounded by water and an expressway, on the island of Tarvo. Online radio will be a core aspect of the project that aims to share voice, reading-aloud, conversation, cooking together, hybrid arts. Inkind support online infrastructure from {openradio} and Hackteria Global Network, visual communication design by Agnieszka Pokrywka, wood for Outdoor Sauna Readings by Simo Haanpää, and Patreon supporters! Ta very much, Kiitoksia! IG: @kitchen.lab.tarvo | http://patreon.com/agryfp
Neurotic city is an audio-visual exploration of urban drifting beyond the civilised landscapes. Shot and performed by the Mainline Group (Lena Kilina and Sofya Chibisguleva), sound design by Yuri Bruscky. The worlds of anthropology, art and, architecture are well aware of the revolutionary Situationist exercises of Guy Debord (1958), which invited the citizens to explore the terrain psycho-geographically and resist the mental economy of pre-decided urban movement as much as possible. The idea of “dérive” — letting go of the reasons for walking and being drawn by the affordances of urban terrain — is a centrepiece of the philosophy. However, dérive was designed for the first-world people, unbothered by threats of policing, crime and suspicion, living in the clean and safe first-world cities. What would happen if we attempt to practice dérive in the cities no less big than Paris of Berlin, yet much less safe, white, and privileged? In this video art we invite you to a Situationist follow-along, a journey through urban and political fears, exercises and stories of 2 citizens of Sao Paulo and Moscow. These 2 drifts in one of the world’s most policed city and in one of the world’s most criminal city will merge into a social and urban mirror, reflecting the true progress of our societies. This event is scheduled on Sao Paulo time UTC -03 please check the local time in your timezone.
This Kitchen Lab Tarvo event is an invite-only anonymous ‘readings’ event which takes place monthly outside a private outdoor tent sauna, but broadcast to online radio. Each month the theme changes, with passages of text selected from the shelves of Kitchen Lab Tarvo home library. The listener will hear spoken word, nature and the sound of steam or light chit-chat. This is the 6th [006] occasion & online radio stream of the 2023 pilot programme, with readings from the above library shelf section that are in the ‘Fiction’ genre. Kitchen Lab Tarvo is a new transdisciplinary process & Hackteria node (established by Andrew Gryf Paterson, 12.2022) that includes a kitchen, library and homely semi-public eventspace in West Helsinki-Espoo borderland; Surrounded by water and an expressway, on the island of Tarvo. Online radio will be a core aspect of the project that aims to share voice, reading-aloud, conversation, cooking together, hybrid arts. Instagram: @kitchen.lab.tarvo Inkind support online infrastructure from {openradio} and Hackteria Global Network, visual communications by Agnieszka Pokrywka, wood for Outdoor Sauna Readings by Simo Haanpää, and Patreon supporters.. Ta very much, Kiitoksia! Donations via MobilePay onsite, or Patreon subscriptions online welcome via http://patreon.com/agryfp
This is a publicly advertised spoken word & poetry event organised inside Kitchen Lab Tarvo, or on terrace in summer, co-produced with Enostone kustannus on a monthly basis. Starting in early Spring 2023, imagine 'Tiny-Desk' format, but for poets, plus soup! Typically there will be 1 -3 poets invited, but there will be an open mic slot also. Onion soup served with croutons (First come first served). Tea refreshment also available. This is the 7th [007] occasion & online radio stream of the 2023 pilot programme, with Enostone kustannus inviting Finnish spoken-word poet Lasse Hauerwaas. Lasse Hauerwaasin runoissa tarkastellaan ihmistä arjen ja Kurvin keskellä. Kielenkäytössä kuuluu vahva, ironinen huumori. Samalla keskiössä ovat yksilön kaikki tunteet. Mitä on... noh, elämä. More about Enostone (in Finnish): http://enostone.fi Kitchen Lab Tarvo is a new transdisciplinary process & Hackteria node (established by Andrew Gryf Paterson, 12.2022) that includes a kitchen, library and homely semi-public eventspace in West Helsinki-Espoo borderland; Surrounded by water and an expressway, on the island of Tarvo. Online radio will be a core aspect of the project that aims to share voice, reading-aloud, conversation, cooking together, hybrid arts. Instagram: @kitchen.lab.tarvo Inkind support online infrastructure from {openradio} and Hackteria Global Network, visual communications by Agnieszka Pokrywka, wood for Outdoor Sauna Readings by Simo Haanpää, and Patreon supporters! Ta very much, Kiitoksia! Donations via MobilePay onsite, or Patreon subscriptions online welcome via http://patreon.com/agryfp
​​Anastasia Diavasti of NTIZEZA and Sumugan Sivanesan of fugitive radio planned to research around a common interest in Cassie Thornton’s book "The Hologram" (2020) and their different approaches to (performative) radio. Spurred on by a timely meeting with Cassie when she was laid over in Athens in March, the duo set about working intuitively. They made recordings at the recent student occupations at Olympia Theatre and Rex Theatre, visited the VioMe workers co-op in Thessaloniki and primed themselves for telepathy For Onassis AiR Open Day #6 they will host a live broadcast to play out their recordings and interviews, and reflect on the themes that emerge with invited guests. These include: dance, solidarity, SF and teargas. It will combine spaces at Onassis AiR with spaces at the Jan van Eyck Academie, Maastricht.